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  • Theology for Liberal Protestants: God the Creator by Douglas F. Ottati
  • Rubén Rosario Rodríguez
Theology for Liberal Protestants: God the Creator Douglas F. Ottati GRAND RAPIDS, MI: EERDMANS, 2013. 377 PP. $38.00

Douglas Ottati offers the first volume of a two-volume systematic theology that is firmly and unapologetically grounded in the nineteenth-century liberal Protestant tradition. To paraphrase Gary Dorrien, Ottati's work can be categorized as among those contributors to the discipline of theology, like Kathryn Tanner, seeking to bridge the longstanding gap between Yale postliberalism and Chicago liberalism. In other words, the absolute rejection of Friedrich Schleiermacher, Adolf von Harnack, and Ernst Troeltsch by neo-orthodox theologians early in the twentieth century no longer serves as an adequate typology, thus necessitating the need for a different narrative—one that sees greater continuity between Protestant liberalism, its neo-orthodox opponents, and the narrative and postliberal theologies that have sprouted from the fertile soil of this supposed discontinuity.

Ottati defends and reclaims use of the term "liberal" through an appeal to the Reformed theological tradition within which he stands (along with supposedly irreconcilable rivals Schleiermacher and Karl Barth) by recognizing the place of John Calvin as an advocate for compassionate civil discourse and cooperation grounded in distinctly Christian piety and praxis. Accordingly, "A liberal Protestant is one whose piety and sensibility join Protestant convictions about Bible, tradition, church, history and truth with sustained attention to critical argument and scientific inquiries, a developed historical consciousness, and a commitment to social criticism and reform" (14). He then reconceptualizes the discipline of Christian theology through a series of axiomatic propositions that locates the theologian within a particular faith community yet in continuous dialogue with the surrounding culture; confronts the radical plurality of our current age by pursuing comparative theological discourse; and is receptive to scientific, literary, and philosophical world views (even when these world views prove hostile to a Christian perspective) as naturally flowing from the Christian's pious submission "to God as Creator, Judge, and Redeemer" of all humanity in its many varied manifestations. In other words, Ottati presents diversity, tolerance, and cooperation as distinctly Christian virtues that can and ought to help Christians build bridges with differing religious and philosophical perspectives on the basis of a shared humanistic foundation that is nevertheless biblically and theologically grounded.

This systematic theology intentionally follows Calvin's organizing schema in the Institutes of the Christian Religion (1559) of the twofold knowledge of God as [End Page 214] Creator and Redeemer; it greatly admires and respects its theological ancestors, including Augustine, Martin Luther, and Schleiermacher, yet offers a critical evaluation—and, when needed, rejection—of these same forebears. Like Katherine Sonderegger's recent Systematic Theology (a projected three-volume work), Ottati's contribution stands as a corrective against the twentieth century emphasis on a Trinitarian doctrine of God that often excludes classical reflection on the attributes of God. Whether or not he is avoiding classical Trinitarian language because he wants to avoid idle speculation about the Triune God (à la Calvin) will become more evident in the second volume when (if?) he addresses the work of the Spirit as part of God's act of reconciliation in Christ. This first volume is the work of a brilliant thinker who is guided by a pastoral sensibility that will find an audience in the church, in the seminary, and—perhaps most surprisingly—in the university classroom in great part because it takes very seriously the call to make the Christian faith intelligible and relevant in the face of external criticism of Christian piety and practice. In the end, what it offers is a rediscovery of the concept of wonder at the Creation and its infinitely mysterious source to a radically pluralistic and increasingly agnostic culture.

Rubén Rosario Rodríguez
Saint Louis University
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