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  • Authors of Articles in This Issue

benjamin brand is an Associate Professor of music history at the University of North Texas. A recipient of fellowships from the Villa I Tatti (Harvard Center for Renaissance Studies) and the American Academy in Rome, he is the author of Holy Treasure and Sacred Song: Relic Cults and their Liturgies in Medieval Tuscany (Oxford University Press, 2014).

estelle murphy is a Lecturer in Music at Maynooth University, Ireland. Her research interests focus on British and Anglo-Irish music and politics in the early eighteenth century, and on popular music of the present day. Her current projects include an investigation of Matthew Dubourg's odes composed for the viceregal court in Dublin and the reuse and borrowing of music evident in these works. She is also currently editing a volume of Eccles's incidental theatre music for The Complete Works of John Eccles (A–R Editions).

bryan r. simms is Professor Emeritus of Musicology at the University of Southern California. A specialist in music and musical theory of the twentieth century, he is the editor of an English edition of the complete writings of Alban Berg: Pro Mundo–Pro Domo:The Writings of Alban Berg (Oxford University Press, 2014).

benjamin steege is Assistant Professor of Music at Columbia University. His research focuses on the history of musical and scientific thought in the late nineteenth and early twentieth centuries. His book, Helmholtz and the Modern Listener (Cambridge), was published in 2012, and he is currently writing a book about the contest between psychological and antipsychological attitudes towards music in twentieth-century German thought. [End Page 171]

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