| Adelson, Robert, Roudier, Alain, Nex, Jenny, Barthel, Laure, and Boussard, Michel (eds.), The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 (Rohan Stewart-MacDonald) | 653 |
| Alajaji, Sylvia Angelique, Music and the Armenian Diaspora: Searching for Home in Exile (Jim Samson) | 535 |
| Allanbrook, Wye Jamison, The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music (Keith Chapin | 165 |
| Barker, Simon, Korea and the Western Drumset: Scattering Rhythms (Shzree Tan) | 375 |
| Basevi, Abramo, The Operas of Giuseppe Verdi, trans. Edward Schneider with Stefano Castelvecchi; ed. Stefano Castelvecchi (Chloe Valenti) | 353 |
| Beard, David, Gloag, Kenneth, and Jones, Nicholas (eds.), Harrison Birtwistle Studies (Christopher Mark) | 669 |
| Bent, Margaret, Magister Jacobus de Ispania, Author of the Speculum Musicae (Stefano Mengozzi) | 649 |
| Berry, Paul, Brahms among Friends: Listening, Performance, and the Rhetoric of Allusion (Nicole Grimes) | 169 |
| Björkén-Nyberg, Cecilia, The Player Piano and the Edwardian Novel (LawrenceWoof) | 340 |
| Blackburn, Bonnie J., and Stras, Laurie (eds.), Eroticism in Early Modern Music (Amanda Eubanks Winkler) | 153 |
| Brown, Julie, Schoenberg and Redemption (Steven J. Cahn) | 665 |
| Carnelley, John, George Smart and Nineteenth-Century Concert Life (Michael Musgrave) | 510 |
| Černíková, Lenka, Jaroslav Vogel 1894–1970: Interpret Hudebního prostoru (John Tyrrell) | 178 |
| Cypess, Rebecca, Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy (Naomi J. Barker) | 650 |
| Daughtry, J. Martin, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq (Gavin Williams) | 529 |
| Dering, Richard, Motets and Anthems, ed. Jonathan P. Wainwright (Peter Leech) | 329 |
| Dowling, Martin, Traditional Music and Irish Society: Historical Perspectives (Harry White) | 182 |
| Dubois, Pierre, Music in the Georgian Novel (Lawrence Woof) | 340 |
| Ellinwood, Leonard (ed. and trans.), and Snyder, John L. (rev.), The Musica of Hermannus Contractus (John Caldwell) | 496 |
| Engelhardt, Jeffers, and Bohlman, Philip V. (eds.), Resounding Transcendence: Transition in Music, Religion, and Ritual (Mark Porter) | 682 |
| Fabian, Dorottya, Timmers, Renee, and Schubert, Emery (eds.), Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Michael Spitzer) | 677 |
| Fitzgerald, Mark, and O'Flynn, John (eds.), Music and Identity in Ireland and Beyond (Patrick Zuk) | 680 |
| Fosler-Lussier, Danielle, Music in America's Cold War Diplomacy (Pauline Fairclough) | 366 |
| Frackman, Kyle, and Powell, Larson (eds.), Classical Music in the German Democratic Republic: Production and Reception (Elaine Kelly) | 364 |
| Franklin, Peter, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Amanda Hsieh) | 659 |
| Gál, Hans, Music behind Barbed Wire: A Diary of Summer 1940, trans. Anthony Fox and Eva Fox-Gál (Florian Scheding) | 360 |
| Gerlach, Katrin, Klingberg, Lars, Riepe, Juliane, and Spiegler, Susanne, Zur Rezeption Georg Friedrich Händels in den deutschen Diktaturen: Quellen in Kontext (Toby Thacker) | 523 |
| Gilmore, Bob, Claude Vivier: A Composer's Life (Jonathan Goldman) | 373 |
| Gingerich, John M., Schubert's Beethoven Project (Anne M. Hyland) | 337 |
| Gosa, Travis L., and Nielson, Erik (eds.), The Hip Hop and Obama Reader (Laura Speers) | 534 |
| Goulden, John, Michael Costa: England's First Conductor. The Revolution in Musical Performance in England, 1830–1880 (Peter Holman) | 347 |
| Grant, M. J., and Misch, Imke (eds.), The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward (Martin Iddon) | 667 |
| Greer, David, Manuscript Inscriptions in Early English Printed Music (Kirsten Gibson) | 504 |
| Hache, Sophie, and Favier, Thierry (eds.), À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles) (Jean-Paul Montagnier) | 652 |
| Hamilton, Katy, and Loges, Natasha (eds.), Brahms in the Home and the Concert Hall: Between Private and Public Performance (Nicole Grimes) | 169 |
| Helmers, Rutger, Not Russian Enough? Nationalism and Cosmopolitanism in Nineteenth-Century Russian Opera (Nathan Seinen) | 173 |
| Helsinger, Elizabeth K. Poetry and the Thought of Song in Nineteenth-Century Britain (Caroline A. Ardrey) | 655 |
| Hunter, David, The Lives of George Frideric Handel (Matthew Gardner) | 507 |
| Huss, Fabian, The Music of Frank Bridge (Ben Earle) | 358 |
| Keefe, Simon, P. (ed.), Mozart Studies 2 (David Schroeder) | 333 |
| Kelly, Elaine, Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music (Mark Berry) | 524 |
| Kenny, Aisling, and Wollenberg, Susan (eds.), Women and the Nineteenth-Century Lied (Marcia J. Citron) | 344 |
| Kolb, Katherine (ed.), and Rosenberg, Samuel N. (trans.), Berlioz on Music: Selected Criticism 1824–1837 (Julian Rushton) | 167 |
| Lachman... |
Reviews: Index: (Reviewers' Names in Parentheses)
