Victorian Poetry Index: Volume 54, 2016

39	Mollie Barnes
	Historical Imagination in Elizabeth Barrett Browning’s Casa Guidi Windows
297	Karen Dieleman
	Evolution and the Struggle of Love in Emily Pfeiffer’s Sonnets
67	Andrea Gazzaniga
	“This Close Room”: Elizabeth Barrett’s Proximal Poetics in Sonnets from the Portuguese
421	Michael Hansen
	Irish Melodies of Anacreontic Balladry
477	Elizabeth Helsinger
	Taking Back the Ballad: Swinburne in the 1860s
93	Andrew Hodgson
	Hopkins’s Heart
155	Benjamin Hudson
	The Exquisite Amateur: FitzGerald, the Rubáyát, and Queer Dilettantism
497	Thomas J. Joudrey
	Against Communal Nostalgia: Reconstructing Sociality in the Pornographic Ballad
439	Naomi Levine
	Tirra-Lirrical Ballads: Source Hunting with the Lady of Shalott
19	Helen Luu
	A Matter of Life and Death: The Auditor-Function of the Dramatic Monologue
221	Beth Newman
	Swinburne among the Hexametrists
1	A. J. Nickerson
	“How you call to me, call to me”: Hardy’s Self-remembering Syntax
455	Justin Sider
	“Modern-Antiques,” Ballad Imitation, and the Aesthetics of Anachronism
245	Tyson Stolte
	“The Infinite within the Finite”: Victorian Prosody and Orthodox Theories of Mind
123	Marjorie Stone
	Lyric Tipplers: Elizabeth Barrett Browning’s “Wine of Cyprus,” Emily Dickinson’s “I taste a liquor,” and the Transatlantic Anacreontic Tradition
275	Stephen Tardif
	“The Wreck of the Deutschland” and the Birth of the Poet: Literary Form, Performative Utterance, and Hopkins’s “Gift of Tears”
199	Wendy S. Williams
	“Arion”: George Eliot’s Exploration of Art and Influence after Middlemarch
179	Cheryl A. Wilson
	Bodily Sensations in the Conversion Poetry of Michael Field