restricted access The Limousine and Technicity in Don DeLillo’s Cosmopolis
Abstract

This essay contends that Don DeLillo’s Cosmopolis (2003) stages its own mastery of what Mark McGurl calls technicity, here figured as “cybercapitalism.” I read the novel’s limousine as the institution through which such mastery is tested. The novel’s close attention to the limousine reveals the ways in which such discourses depend on a network of human and nonhuman actants. This is both a commentary on and a departure from DeLillo’s earlier work, in which such technic ideas largely (though not wholly) floated free of such networks.


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