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The Limousine and Technicity in Don DeLillo’s Cosmopolis
- MFS Modern Fiction Studies
- Johns Hopkins University Press
- Volume 63, Number 1, Spring 2017
- pp. 146-167
- 10.1353/mfs.2017.0008
- Article
- Additional Information
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This essay contends that Don DeLillo’s Cosmopolis (2003) stages its own mastery of what Mark McGurl calls technicity, here figured as “cybercapitalism.” I read the novel’s limousine as the institution through which such mastery is tested. The novel’s close attention to the limousine reveals the ways in which such discourses depend on a network of human and nonhuman actants. This is both a commentary on and a departure from DeLillo’s earlier work, in which such technic ideas largely (though not wholly) floated free of such networks.