Abstract

Abstract:

This essay argues that at the center of Coetzee’s reading of TheRobinson Crusoe lies the exposure of the Christian secret in both the colonial enterprises of the characters and the authorial presences of Defoe and Coetzee. My argument draws on Jacques Derrida’s The Gift of Death, which outlines how Christianity tacitly incorporates (but does not destroy) older, non-Christian elements into its epistemic framework. Though Crusoe explicitly sets out to convert Friday to Christianity, and succeeds in that goal, their conversation on the worship of God offers a startling subversion of the Christian subject position. Foe highlights this subversion through the nonpresence of Friday, showing the work of colonial Christianity still in transition, convulsed by the repetition of what it is attempting to subordinate in secret: the non-Christian other whose sacrifice cannot be openly acknowledged.

pdf

Share