About the Authors
- About the Authors
lucille mok is a recent PhD graduate of Harvard University and an adjunct instructor at the University of Illinois at Chicago. In addition to her research on experimental animation at the National Film Board of Canada, she has research interests in piano performance, sound and visual technologies, and jazz criticism. Lucille has presented her research at various international and national meetings, including the annual conferences of the Society of American Music and the American Musicological Society. She is the recipient of the SOCAN Foundation/CUMS Award for Writing in Canadian Music for an earlier version of this article, presented at the 2013 Annual Conference of the Canadian University Music Society. Her research has been supported by the Weatherhead Center for International Affairs at Harvard University and the Social Sciences and Humanities Research Council of Canada.
peter kupfer is an assistant professor of music history at Southern Methodist University in Dallas, TX. He received his PhD in music history and theory from the University of Chicago with a dissertation on the Soviet musical comedy films of Grigory Aleksandrov and Isaak Dunayevsky. He has taught at the University of Chicago, DePaul University, and Reed College. His research, broadly speaking, addresses intersections of music, ideology, and multimedia, and has appeared in the Journal of Musicology, Twentieth-Century Music, and in the edited volume Classical Music in the German Democratic Republic. [End Page 54]
