The Later Wittgenstein: The Emergence of a New Philosophical Method by S. Stephen Hilmy (review)

BOOK REVIEWS 533 Grammar of Assent. Yet whereas Reid had urged a fundamental agree· ment on first principles on the intuitive basis of common sense, Newman thought such principles were discovered inductively and that there might he much disagreement. It was the disagreement itself that led to the need for a better understanding of the reasoning process. In place of common sense, Newman appealed to the illative sense. In l:his regard, Newman directly rejeots Locke's distinction between demon· stration and probability. Various kinds of probabilistic reasoning for Newman can lead to a certainty beyond reasonable doubt. Ferreira claims that in this regard Newman is following a strategy not unlike l:hat of Reid. Both Reid's common sense and Newman's illative sense are natural. However, the former can discover only self-evident 'truths while the latter is part of the process of reasoning itself. Ferreira pro· vides a very full discussion of the manner in which these outlooks led Newman into the tradition of a naturalistic response to scepticism. Both philosophers and intellectual historians will find Professor Ferreira's volume useful and informative. In a very sprightly man· ner she has explored a tradition of British intellectual life that often has remained ignored. She has displayed very considerable daring in attempting to cover two centuries of thought. The most valuable sec· tions are no doubt those on Reid and Newman where she has care· fully illuminated a major intelleotual path not .taken hy most late nine· teenth· and twentieth-century British philosophers hut which exerted very considerable influence during the first three-quarters of rthe nine· teenth century. The volume also prepares the way for intellectual his· torians to examine what were the social and struotural reasons within British intellectual life for these particular anti-sceptical strategies. FRANK M. TURNER Yale University New Haven, Connecticut The Later Wittgenstein: The Emergence of a New Philosophical Meth· od. By S. STEPHEN HILMY. Oxford: Basil Blackwell, 1987. Pp. viii+ 340. This is a hook of extraordinary scholarly density. Its 226 pages of text are complemented hy 94 pages of notes, 6 pages of bibliography, and 14 pages of indices. A heavy texture of relentlessly documented argument, Hilmy's hook is neither for philosophical novices nor for !:hose whose interest in Wittgenstein is merely moderate. To profit from 534 BOOK REVIEWS this hook, the reader must share the intense concern that led the author to plough through Wittgenstein's vast Nachlass. But readers must also he willing to contend with a style of writing that is often forbiddingly and needlessly convoluted, and with a tone that is sometimes snide. More will he said about these problems below, after a discussion of the hook's purposes. Hilmy believes Wittgenstein scholarship to he in a sorry state. The problem stems, he thinks, from blunders committed hy the literary executors. He writes, " The unhappy state of Wittgenstein scholarship is in large part due to the fragmented and ahistorical character of the potpourri of published remarks wirth which scholars have been work· ing" (viii). Indeed, his confidence in the published materials is so low that he often refers to them as Wittgenstein's "works" (in quotation marks) to signal his disdain for the editors' selections and arrange· ments. The scope of this volume is intentionally limited; little or no assess· ment of Wittgenstein's conclusions is offered. But Hilmy does claim to he taking a necessary first step which, he says, "much of the volumin· ous literature ... has dismally failed to take" (3); namely, an examination of .the historical development of Wittgenstein's later way of thinking (Denkweise) as chronicled in the Nachlass. His appeal to the manuscript material is based on his belief that rthe "conglomerated fragments" (9) in the published works are best understood in their original contexts and in light of later contexts into which Wittgenstein placed them in the process of revision. Much of the stylistic character of Hilmy's hook stems from .the necessarily laborious nature of trac· ing these origins and transpositions, and from his sense of getting Witt· genstein right for the first time. After sorting through some preliminary issues concerning Wittgenstein 's compositional style, Hilmy produces an...