Abstract

Claudel’s interest in the East is undeniable, first through his governmental posts in China and Japan, but especially through his poetic work, particularly his experiments with eastern visual and discursive forms. His adaptations, however, can be seen as ambivalent, reminiscent of Orientalist stereotyping. Does he avoid this pervasive western misstep?

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 104-119
Launched on MUSE
2016-10-03
Open Access
No
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