Abstract

Women such as Florine Ebstein Langweil and Clémence d’Ennery were largely excluded from the networks of professional activities that came to distinguish “collectors” of Asian art in late nineteenth-century France, yet their acquisitions and exchange of information profoundly influenced contemporary engagement with the cultures of China, Japan, and Korea.

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 61-75
Launched on MUSE
2016-10-03
Open Access
No
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