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Fantasy on the Clock: The Virtual Cruelty of Collected Works’ The Balcony
- TDR: The Drama Review
- The MIT Press
- Volume 60, Number 2, Summer 2016 (T230)
- pp. 139-145
- Article
- Additional Information
Inside the brick and stone of San Francisco’s historic Old Mint, Collected Works’ site-specific production of Jean Genet’s The Balcony mobilizes the play’s ambiguous temporality to underscore the role of financialization within multiple historical moments. Within the slippage between a past, present, and virtual charged with desires for power and capital, the spectator, too, becomes complicit in the consumption and construction of capital.