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  • Book Review Contributors

Glyn Davis is reader in screen studies at the University of Edinburgh. He is coeditor of Warhol in Ten Takes (BFI, 2013) and coauthor of Film Studies: A Global Introduction (Routledge, 2015). He is currently writing a book titled The Exhausted Screen: Cinema, Boredom, Stasis.

Lucy Fife Donaldson is lecturer in film studies at the University of St. Andrews. She is the author of Texture in Film (Palgrave Macmillan, 2014) and a member of the editorial board of Movie: A Journal of Film Criticism.

Tiago de Luca is lecturer in film studies at the University of Liverpool. He is author of Realism of the Senses in World Cinema: The Experience of Physical Reality (I. B. Tauris, 2014), editor (with Nuno Barradas Jorge) of Slow Cinema (Edinburgh University Press, 2015), and series editor (with Lúcia Nagib) of Film Thinks: How Cinema Inspires Writers and Thinkers (I. B. Tauris).

Myles McNutt is an assistant professor of communication at Old Dominion University, researching media industries with a specific interest in intersections of production cultures and formal structures across media contexts. His scholarship has appeared in Media Industries Journal, Creative Industries Journal, and Journal of Popular Television, among others. In addition, his work extends into the space of professional television criticism, on his personal blog Cultural Learnings and at The A.V. Club.

Ella Parry-Davies is a PhD researcher funded by a joint doctoral partnership between King’s College London and National University of Singapore. She convened “Beirut: Bodies in Public,” a three-day workshop on performance in public space (Lebanon, October 2014), and “Research with Reach,” a training program for postgraduate researchers at King’s College London. She has recently published in Performance Philosophy Journal and Platform: Journal of Theatre and Performing Arts. [End Page 182]

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