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  • Dogmatics
  • Julie Henson (bio)

In folktale, it goes like this: The sisters leave home    to bring back the dead coal miner. At the doorway to hell,each girl gives up something for his release: a forearm,    a right ear, her very cleanest kidney.Or it starts with the shoe salesman from Poughkeepsie    who keeps saying to his wife, I could just eat you up.Eventually, he does.    For a long time Bethany was wanting a Joan Didion        tattoo—we tell ourselves stories in order to livescrolled up the back of her right tricep at the same time I was wantinga lantern on my calf. Our paths luminous.    And when a boy I brought home met my father,my father would say,“Do you consider America to be a God-fearing country?”        and once I misheard,thought he said girl not God.            What I want is—I want to be sharp.    Not a bride but like a bride.          At first, it was just the storyof a good girl with a basket.    She was preparing for what could have been a very long day.Then, the grandmother or the wolf        or the wolf in the grandmother’s body    started that little dance, asking Aren’t you sucha pretty young thing? [End Page 116]

Julie Henson

Julie Henson’s work has appeared or is forthcoming in Prairie Schooner, Crab Orchard Review, Quarterly West, Iowa Review, Subtropics, CutBank, Southern Indiana Review, Word Riot, and others. She was the winner of Redivider’s 2015 Beacon Street Prize in poetry. She lives in Indianapolis with her cat Pippa.

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