Contents, Volume 71, 2015

maria almanza Dismantling the American Boy: Nathanael West’s A Cool Million	4/53
li yun alvarado Ambivalence and the Empire City: Julia de Burgos’s New York	1/53
lindsey michael banco “Hiroshima Is Peanuts”: The Strange Landscape of The Day After	1/101
mitchell breitwieser Hawthorne: Mortmain	3/27
greg chase “Ah just cant quit thinking”: Modernist Narrative Voice in Faulkner and Ellison	3/111
robert j. corber Ginger Trouble	2/121
james e. dobson Bits of Autobiography: Radical Deindividualization and Everydayness	1/83
annie dwyer Animal Autobiography and the Domestication of Human Freedom	2/1
susan m. griffin The Europeans on Broadway	4/1
andrew hebard Race Conservation and Imperial Sovereignty in Sutton Griggs’s Imperium in Imperio	3/59
hee-jung serenity joo Reluctant Heroes and Petty Tyrants: Reproducing Race in the Global War on Terror in Children of Men and District 9	2/61
raymond malewitz “Some new dimension of hip and bone”: Remediated Bodies and Digital Posthumanism in Gary Shteyngart’s Super Sad True Love Story	4/107
lisa mendelman Ambivalence and Irony: Gendered Forms in Interwar America	4/23
lee clark mitchell Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald	3/1
jonathan w. murphy Thoughts for Nathaniel Hawthorne on Hearth and Altar	2/31
nicholas nardini A Fresh-Start Doctrine: The Marshall Plan, The Adventures of Augie March, and the Bildungsroman after Nationalism	2/149
daniel rosenberg nutters Henry James and the Sublime	2/87
peter j. pappas Leaving Something to Be Desired: Affective Strategies and the Everyday-Spectacular in Nathanael West’s The Day of the Locust	1/129
justin parks Muriel Rukeyser’s Poetics of Extension and the Politics of Documentary Photography	1/151
amy parsons Desire, Forgetting, and the Future: Walt Whitman’s Civil War	3/85
donald pizer John Dos Passos and Harlan: Three Variations on a Theme	1/1
suzanne roszak Sex, Diaspora, and the New “Italian Novel”: James Baldwin’s Giovanni’s Room and Bernard Malamud’s Pictures of Fidelman	4/81
cedric r. tolliver The Racial Ends of History: Melancholic Historical Practice in Pauline Hopkins’s Of One Blood	1/25
skip willman Reframing “official memory”: Don Delillo’s Libra and the House Select Committee on Assassinations	3/139