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  • Art, Science and Politics in Leonardo and LMJ, 1968–2015A Reading List

While certainly not exhaustive, the following reading list presents a selection of articles and special sections published Leonardo and Leonardo Music Journal over the last 48 years on works and ideas relating to politics and political issues. The articles below can be found online via <www.mitpressjournals.org> and via other venues such as <www.jstor.org> and <www.muse.jhu.edu>.

  • ACETI, LANFRANCO. “Without Visible Scars: Digital Art and the Memory of War,” Leonardo 42, No. 1 (2009).

  • ARMS, WILLIAM Y. “The Institutional Implications of Electronic Information,” Leonardo 27, No. 2 (1994).

  • Art and Social Consciousness, Special Issue, Leonardo 26, No. 5 (1993).

  • “Artists and Scientists in Times of War,” Special Section, Leonardo 44, No. 2 (2011).

  • “Artists and War: Answers?” Special Section, Leonardo 34, No. 1 (2001).

  • BROUN, ELIZABETH. “Art, Electronic Outreach and American Democracy,” in Special Section “A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II,” Leonardo 29, No. 4 (1996).

  • “A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I,” Special Section, Leonardo 29, No. 3 (1996).

  • COOK, PERRY R., AND SMALLWOOD, SCOTT. “SOLA: Sustainable Orchestras of Laptops and Analog,” Leonardo Music Journal 20 (2010).

  • CORNFORD, STEPHEN. “Digital Economy Action: Composition by Participatory Piracy,” Leonardo Music Journal 21 (2011).

  • DELLAPE, JOSEPH. “Gulf War Memories,” Leonardo 27, No. 1 (1994).

  • EGBERT, DONALD D. “The Idea of Avant-Garde in Art and Politics,” Leonardo 3, No. 1 (1970).

  • ENG, MICHAEL. “From an Aesthetics of the Real to the Reality of the Aesthetic: Rancière, Sick and the Politics of Sound Art,” Leonardo Music Journal 23 (2013).

  • FITZOU. “An Artist’s Reaction to the Barricades of Paris, 1968,” Leonardo 2, No. 1 (1969).

  • GESSERT, GEORGE. “Gathered from Coincidence: Reflections on Art in a Time of Global Warming,” Leonardo 40, No. 3 (2007).

  • GOODYEAR, ANNE COLLINS. “From Technophilia to Technophobia: The Impact of the Vietnam War on the Reception of ‘Art and Technology,’ ” in Special Section “REFRESH! Conference Papers,” Leonardo 41, No. 2 (2008).

  • GUARDANS, RAMON, and CZEGLÉDY, NINA. “Oriented Flows: The Molecular Biology and Political Economy of the Stew,” Leonardo 42, No. 2 (2009).

  • HO, FRED. “Beyond Asian American Jazz: My Musical and Political Changes in the Asian American Movement,” Leonardo Music Journal 9 (1999).

  • HOLME, PETTER. “Social, Sexual and Economic Networks of Prostitution,” in Special Section “Arts, Humanities and Complex Networks,” Leonardo 45, No. 1 (2012).

  • KRASEK, MATJUSKA TEJA. “The Role of Artists and Scientists in Times of War,” Leonardo 35, No. 2 (2002).

  • MANN, STEVE. “ ‘Reflectionism’ and ‘Diffusionism’: New Tactics for Deconstructing the Video Surveillance Super-highway,” Leonardo 31, No. 2 (1998).

  • MCCARTNEY, ANDRA. “Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music,” Leonardo Music Journal 5 (1995).

  • MCKINNON, DUGAL. “Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art,” Leonardo Music Journal 23 (2013).

  • NECHVATAL, JOSEPH. “La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness,” Leonardo 34, No. 1 (2001).

  • NISBET, NANCY. “Resisting Surveillance: Identity and Implantable Microchips,” Leonardo 37, No. 3 (2004).

  • PARADA, ESTHER. “Taking Liberties: Digital Revision as Cultural Dialogue,” in Art and Social Consciousness, Special Issue, Leonardo 26, No. 5 (1993).

  • PERAICA, ANA. “Exploitation of Victims’ Desire for Revenge: A Natural Psychological Mechanism and Its Unnatural Production in Culture and Politics,” Leonardo 44, No. 1 (2011).

  • PINKEL, SHEILA. “Introduction,” Art and Social Consciousness, Special Issue, Leonardo 26, No. 5 (1993). [End Page 112]

  • POLANSKY, LARRY. “17 Gloomy Sentences (and commentary) at the turn of the millennium (in the form of an editorial), Leonardo Music Journal 1 (1991).

  • The Politics of Sound Art, Special Issue, Leonardo Music Journal 25 (2015).

  • POLLI, ANDREA. “Noises Off,” Leonardo Music Journal 16 (2006).

  • POPE, ROBERT. “A Policy Model for Self-Funding of Ethical Science through the Arts,” Leonardo 26, No. 2 (1993).

  • Power and Responsibility: Politics, Identity and Technology in Music, Special Issue, Leonardo Music Journal 9 (1999).

  • ROSENBERG, HAROLD, AND RALEIGH, HENRY P. “Discovering the Present: Three Decades in Art, Culture and Politics,” Leonardo 9, No. 2 (1976).

  • SCHINCKUS, CHRISTOPHE. “The Art of Finance: An Artist Uses Financial Economics as Inspiration,” Leonardo 44, No. 3 (2011).

  • SEARCH, PATRICIA...

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