Dickens Quarterly Checklist

Primary Sources

Dickens, Charles. The Uncommercial Traveller. Ed. by Daniel Tyler. Oxford: Oxford UP, 2015. ISBN: 978-0199686650.

Secondary Sources

Ashrafi, Afroz. “Charles Dickens, the Second Construction of British Realism.” Labyrinth: An International Refereed Journal of Postmodern Studies 6.3 (2015): 82–91.

Barcousky, Len. “Eyewitness: 1842 Dickens Finds Pittsburgh Full of Smoke and Fires.” Pittsburgh Post-Gazette, August 30, 2015.

—. “Eyewitness: 1842 Dickens was ‘Inclined’ to see Pittsburgh’s Sites.” Pittsburgh Post-Gazett, August 16, 2015.

Bossche, Chris R Vanden. Reform Acts: Chartism, Social Agency and the Victorian Novel, 1832–1867. Baltimore: Johns Hopkins UP, 2014. ISBN: 9781421412085. [BR]

Budrewicz, Aleksandra. “‘I want my eyes … ’: Blindness and Perception of the World in Polish Translations of Charles Dickens’s The Cricket on the Hearth.” Via Panorâmic: Revista Electrónica de Estudos Anglo-Americanos, série 3.4 (2015): 15–29.

Butterworth, Robert. Dickens, Religion and Society. London: Palgrave Macmillan, 2015. ISBN: 978-1137558701.

Carroll, Rachel. “Black Britain and the Classic Adaptation: Integrated Casting in Television Adaptations of Oliver Twist and Little Dorrit.” Adaptation 8.1 (2015): 16–30.

Corton, Christine L. London Fog: The Biography. Cambridge, MA.: Harvard UP, 2015. ISBN: 978-0674088351. [passim, BH, OMF].

Dickens Studies Annual: Essays on Victorian Fiction 46.1 (August 2015). [Contents: “Preface”: vii–viii; “Notes on Contributors”: ix–xii; Robert L. Patten, “Whitewashing the Blacking Factory”: 1–22; Mark M. Hennelly, Jr., “Dickens’s Performances of Astonishment and Nicholas Nickleby”: 23–50; Alison Rutledge, “Travelling Narrator, Travelling Characters: Developments in Narration and Characterization in the Novels of Charles Dickens”: 51–70; Philip V. Allingham, “Changes in Visual Interpretations of A Christmas Carol, 1843–1915: From Realization to Impressionism”: 71–121; Brian Sabey, “Ethical Metafiction in Dickens’s Christmas Hauntings”: 123–46; Jennifer Janechek, “‘This curious association of objects’: Dickens’s Treatment of Chair-Transported Characters in Dombey and Son and Bleak House”: 147–65; Gill Ballinger, “Countering the ‘contract-bargain’: Credit, Debt, and the Moral Economy in David Copperfield”: 167–84; Emily Epstein V. Kobayashi, “Detective or Defective Vision, A Matter of Breathing or Dying in Bleak House”: 185–207; Michelle L. Wilson, “Esther Summerson’s Narrative Relations: Reinscribing Inheritance in Bleak House”: 209–30; Sarah Gates, “Pious Fraud and Secret Chamber: Our Mutual Friend and the Intertextual Marriage Plot”: 231–52; Elisha Cohn, “Suspending Detection: Collins, Dickens, and the Will to Know”: 253–76; Gerard Cohen-Vrignaud, “Beyond the Pale: Edwin Drood and the ‘Sanctity of Human Life’”: 277–96; Christiane Gannon, “Hinduism, Spiritual Community, and Narrative Form in The Moonstone”: 297–320; Rae Greiner, “Stupid Dickens: A Panel Discussion: Introduction”: 321–24; Jonathan Farina, “Mad Libs and Stupid Criticism”: 325–38; Daniel Wright, “Let Them Be: Dickens’s Stupid Politics”: 339–56; Carolyn Williams, “Stupidity and Stupefaction: Barnaby Rudge and the Mute Figure of Melodrama”: 357–76; Rae Greiner, “On Dickensian Stupidity: Response”: 377–83; Natalie B. Cole, “Recent Dickens Studies: 2013”: 385–465; “Index”: 467–73].

Dickens Quarterly 32.3 (September 2015). [Contents: William F. Long and Paul Schlicke, “Bumple Against Sludberry; or, Dickens Has an Early Encounter with Reform Politics”: 181–98; Goldie Morgentaler, “A Tale of Two Dwarfs: Sex, Size and the Erotics of Transcendence”: 199–210; Neil Forsyth, “Hands in Dickens: Neuroscience and Interpretation”: 211–20; Jerome Meckier, “Estella, Dead or Alive? Consideration and Incrimination”: 221–28; Peter Gurney, “‘The Age of Veneer’: Charles Dickens and the Antinomies of Victorian Consumer Culture”: 229–46; Shuli Barzilai, (Review Essay. The Oxford Handbook of the Victorian Novel): 247–54; Robert R. Garnett (Rev. The Companion to Dombey and Son): 255–58; Nirshan Perera (Rev. The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience): 259–61; Notices: 262–64; Clare Horrocks and Kim Edwards Keates, “The Dickens Quarterly Checklist”: 265–71].

Douglas-Fairhurst, Robert. “Dickens and the Line of Beauty.” The Persistence of Beauty: Victorians to Moderns. Eds. Michael O’Neill, Mark Sandy and Sarah Wootton. Abingdon, Oxon.: Pickering & Chatto, 2015. ISBN: 978-1848935110. Pp. 31–44.

Dixon, Thomas. Weeping Britannia: Portrait of a Nation in Tears. Oxford: Oxford UP, 2015. 978-0-19-967605-7. [passim, OCS].

Frenk, Joachim and Lena Steveker, eds. Charles Dickens as an Agent of Change. New York...