Index to volume 8
- Index to volume 8
| Articles | |
| Engstrom, Maria, The scent of a former life: the Czech adaptation of the Strugatskiis’ story The Kid | 179 |
| Fitzgerald, Jon and Philip Hayward, Mountain airs, mockingjays and modernity: songs and their significance in The Hunger Games | 75 |
| Howell, Yvonne, From ‘sots-romanticism’ to rom-com: the Strugatskiis’ Monday Begins on Saturday as a film comedy | 127 |
| Khagi, Sofya, Genre film, spectacle and the Strugatskii brothers in Fyodor Bondarchuk’s The Inhabited Island | 199 |
| Koistinen, Aino-Kaisa, ‘The machine is nothing without the woman’: Gender, humanity and the cyborg body in the original and reimagined Bionic Woman | 53 |
| Maguire, Muireann and Andrei Rogatchevski, Introduction: filming the Strugatskiis | 123 |
| Maguire, Muireann, Back to the future in Arkanar: the Strugatskiis, Aleksei German Sr and the problem of injustice in Hard to Be a God | 233 |
| McHugh, Kathleen, Seeking a film for the end of the world | 297 |
| McQueen, Sean, Antiviral: capitalism of the fourth kind | 29 |
| Naripea, Eva and Henriette Cederlof, Genre and gender in The Dead Mountaineer’s Hotel (1979) | 145 |
| Ransom, Amy J., The future of Quebec in sf film and television | 1 |
| Rogatchevski, Andrei, Loyalty by obfuscation: Aleksandr Sokurov’s Dni zatmeniia vs the Strugatskii brothers’ A Billion Years before the End of the World | 167 |
| Schmeink, Lars, Frankenstein’s offspring: practicing science and parenthood in Natali’s Splice | 343 |
| Schwartz, Matthias, Observing the imperial gaze: on Peter Fleischmann’s Es ist nicht leicht ein Gott zu sein | 219 |
| Telotte, J.P., Sex and machines: the ‘buzz’ of 1950s science fiction films | 371 |
| Tsymbal, Evgenii, Tarkovsky and the Strugatskii brothers: the prehistory of Stalker | 255 |
| Young, Mark, Xenochrony: aural media and neoliberal time in Shane Carruth’s Primer | 321 |
| Archive | |
| Brown, Shane, Pushing Boundaries? Challenging traditional gender roles in Kyle XY | 91 |
| Review essay | |
| Evans, Taylor, Racing the future | 387 |
| Book reviews | |
| Ginn, Sherry, Buckman, Alyson R. and Porter, Heather M., eds, Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity (Stacey Abbott) | 397 |
| Hairston, Andrea, Lonely Stardust: Two Plays, a Speech, and Eight Essays (Rubén Mendoza) | 402 |
| Huss, John, ed., Planet of the Apes and Philosophy: Great Apes Think Alike (Stina Attebery) | 279 |
| Langer, Jessica, Postcolonialism and Science Fiction (Paweł Frelik) | 280 |
| Miller, Cynthia J., and Riper, A. Bowdoin Van, eds, 1950s ‘Rocketman’ TV Series and Their Fans: Cadets, Rangers, and Junior Space Men (James Chapman) | 104 |
| Tucker, Aaron, Interfacing with the Internet in Popular Culture (Grace Halden) | 407 |
| Yost, Kimberly, From Starship Captains to Galactic Rebels: Leaders in Science Fiction Television (Katie Moylan) | 101 |
| DVD reviews | |
| After Earth (Stefan Hall) | 107 |
| Man of Steel (William Proctor) | 290 |
| Perfect Sense (Christopher Cokinos) | 411 |
| Real Humans (Aino-Kaisa Koistinen) | 414 |
| Riddick (Eric Buscemi) | 111 |
| RoboCop (Nick Jones) | 418 |
| The Avengers (Dylan Bateman) | 285 |
| The Rover (Graham Hall) | 422 |
| The Wolverine (Susan A. George) | 117 |
| The Zero Theorem (Matthew Cheney) | 426 |
| Upstream Color (Shelagh M. Rowan-Legg) | 114 |
[End Page 435]
