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Seriality and Modernity: L’almanach des Mystères de Paris
- L'Esprit Créateur
- Johns Hopkins University Press
- Volume 55, Number 3, Fall 2015
- pp. 127-139
- 10.1353/esp.2015.0035
- Article
- Additional Information
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In nineteenth-century France, the série became an increasingly common mode of representation and production. Seriality was central to a wide range of academic disciplines and industrial practices, from natural history, to statistics, to print capitalism. This article examines L’almanach des Mystères de Paris (1844), a satirical reinterpretation of Eugène Sue’s bestselling serial novel, to show how almanacs, a resurgent popular form in the nineteenth century, sought to interrupt and question the logic of seriality.