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Madness and Matrimony in Frances Burney’s Cecilia
- SEL Studies in English Literature 1500-1900
- Johns Hopkins University Press
- Volume 55, Number 3, Summer 2015
- pp. 559-578
- 10.1353/sel.2015.0026
- Article
- Additional Information
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Frances Burney’s novel Cecilia, or Memoirs of an Heiress (1782) provides a crucial counter to studies of the marriage plot. Burney’s novel, instead of accepting marriage as a convenient solution to the ills of a decadent, late eighteenth-century society, represents marriage as both mollifying and contributing to the oppression of women in a patriarchal society. Thus, Cecilia’s representation of matrimony both subverts and preserves the ideological dominance of marital unions, demonstrating that the ultimate crisis therein is a crisis over women’s self-possession and self-definition.