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The Choreography of Anticipation in Maria Hassabi’s PREMIERE
- TDR: The Drama Review
- The MIT Press
- Volume 59, Number 3, Fall 2015 (T227)
- pp. 150-157
- Article
- Additional Information
PREMIERE (2013) by Maria Hassabi presents ontological challenges to dance spectatorship and scholarship by foregrounding micro-choreographies that emerge through slow-paced movement and extended duration. Kinesthetic attunement and duration are posed as critical concepts, despite evidence that both are undertheorized as choreographic strategies for premiering new bodies and subjectivities.