- Tell me what killed you
Was it the hand? The needle? Mortality’sprecision pushing the thumblike a hammer— a burial. Was it science?Instinct? Your lungs or the airalready pulsing with mycobacterium tuberculosis—another’s body calling your body its home.
on the phone my mother says she doesn’t rememberit was before my time before grandmothertore me from her skin my dead sister—a ghost indigo bone bright as an unbombed sky—before the bombs the burnings years lost in betweennights hiding [End Page 132] beneath the floorboardsour ears pressed to the ground listening the childrenharvested like blanched rice stripped strapped downon a wet bench screaming without sound their skullsshrunken measured a white man’s pleasureincubated in a jar a photograph clipped from Timemagazine before time stood on its hind legs barkinglike a mad dog wild with iron in its blood i’m sorryi don’t remember— call it back—it was beforemy time—call all of it back it’s mine—a ghostan unbombed sky my dead—it’s mine.
Louis Pasteur was a French scientist. He createdthe first vaccine for tuberculosis. His discoveriesconfirmed that small organisms invade living hostsand, in turn, are responsible for bacterial infection.
The Pasteur Institute was Louis’s teaching laboratory.It exported knowledge to the colonial world to curemankind and serve the darker peoples, to free themof the illnesses conceived from their own darkness. [End Page 133]
The first Pasteur Institute constructed outside of Francewas built in my mother’s village. It gathered over 300,000newborns across Vietnam and injected them withMycobacterium tuberculosis cultivated inside chickens
and pigs. Louis hypothesized that by injecting bacteriainto these children, into a people who more or less justchickens and pigs, wild and dark, dumb and undoneby their own darkness, their bodies might learn to save
themselves, to barricade its blood against invasion.How ironic the function of science: teaching an imbecilepeople, a farmed and butchered beast, to protect themselves—to kill a foreign species with nothing but their anti-bodies.
Why claim this? Why want any of it? The hand. The needle. Mortality’s precisionpushing the thumb like a hammer. A burial. Why want what killsme: this history, this unnamed murderer. Tell me what killed you.Was it science— Instinct— Experiment— Your lungs or the air already pulsing—Tell me who did it. Give them to me. Give me their artifacts: [End Page 134] The evidence— The flesh unkissedby dawn— The pigs, the children never given names just numbers— Data— Figures in a table—Empire’s uncalculated desire— All of them— The 300,000 dead— The millions and millions more dead,the ones still waiting underneath— Ears pressed to sealed earth, scorched indigo, bone bright—Their grief becoming gills, bloodshot and mutant, carving a door back from oblivion.Give me them all. [End Page 135]
Paul Tran is a Vietnamese American historian & poet. He is a Kundiman, Poets House, Lambda Literary & VONA fellow. His work can be found in CURA, Nepanta, cream city review, and RHINO. He lives in New York, where he works at NYU & coaches the Barnard/Columbia University slam team.