Contributors
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Timothy Boswell is managing editor at Studies in the Novel. He holds a PhD in creative writing from the University of North Texas and also works as a ghostwriter and book editor.
Katherine Hallemeier, assistant professor of English at Oklahoma State University, is the author of J.M. Coetzee and the Limits of Cosmopolitanism.
Linda Martin is a doctoral candidate in the English department at Boston College. Her research interests include British modernism, cognitive theory, history of science, and history of feminism. Her dissertation project studies the discursive intersections of physiological psychology and the ideology of gender equality as they emerge in works by Gertrude Stein, Virginia Woolf, and Rebecca West.
Albert D. Pionke is a professor of English at the University of Alabama. He is author of Plots of Opportunity: Representing Conspiracy in Victorian England (Ohio State University Press, 2004) and The Ritual Culture of Victorian Professionals: Competing for Ceremonial Status, 1838–1877 (Ashgate, 2013) and editor of Victorian Secrecy: Economies of Knowledge and Concealment (Ashgate, 2010).
Cynthia Quarrie is an assistant professor of English on a limited term contract at Concordia University in Montreal, where she is at work on a book manuscript about inheritance, authorship, and affect in the contemporary British novel.
Clayton Carlyle Tarr is a postdoctoral fellow at the University of Georgia, where he specializes in eighteenth- and nineteenth-century British literature. He has recently completed a book manuscript on frame narratives in Gothic novels and has published on Dickens, Carlyle, Poe, and Christina Rossetti.
Hershini Bhana Young is an associate professor in the English department at the State University of New York at Buffalo where she teaches classes on performance and artistic production of the African diaspora. She is the author of Haunting Capital: Memory, Text and the Black Diasporic Body (University Press of New England, 2005) and Illegible Will: Coercive Performances in Southern African Spectacles of Labor (forthcoming, Duke University Press). [End Page 282]
