Eclipsed Autonomy: Celestial Images and the Free Will Debate in Antonio Mira de Amescua’s Álvaro de Luna Plays

Antonio Mira de Amescua’s two-part Próspera fortuna and Adversa fortuna de don Álvaro de Luna chronicles the rise and fall of Spain’s most iconic privado, Álvaro de Luna. Suspected by medieval chroniclers of controlling Juan II with magic, Luna’s appearance on stage speaks to growing concerns in seventeenth-century Spain over the king’s ability to resist manipulation by powerful courtiers. Rather than using the plays as political commentary, however, Mira frames the institution of privanza within contemporary debates regarding free will, and, in doing so, offers a dramatic rendering of the nature of human autonomy and spiritual bondage.