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Sound and Silence in Calpurnius Siculus
- American Journal of Philology
- Johns Hopkins University Press
- Volume 136, Number 1 (Whole Number 541), Spring 2015
- pp. 91-120
- 10.1353/ajp.2015.0003
- Article
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This article examines the rupture of pastoral exchange between human music and natural sound, familiar from Theocritus and Vergil, as well as the later Western pastoral, in the Eclogues of Calpurnius Siculus. Calpurnius’ focus on nature as obstructive, and on the importance of silence to composition of song, is a distinctive feature of his pastoral poetics that builds on moments of discord between man and nature in Vergil’s Eclogues. The appearance of the motif in the poetry of Calpurnius’ successor, Nemesianus, alongside the better-known motif of cooperation between man and nature in creating music, sheds light on the alternative trajectory in the development of the pastoral tradition.