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  • Contributors

KATE BRIDAL holds degrees in Primate Behavior and Ecology, and Psychology. She is a future law student who had most of Juliet’s lines memorized when she was twelve years old.

DOUGLAS BRUSTER is Mody C. Boatright Regents Professor of American and English Literature and Distinguished Teaching Professor at the University of Texas at Austin. He is currently working on the chronology of Shakespeare’s plays and poems.

ROSS W. DUFFIN is Fynette H. Kulas Professor of Music at Case Western Reserve University. His Shakespeare’s Songbook (W. W. Norton, 2004) is a study of songs inserted, quoted, and referenced in the plays. His current work focuses on songs in English comedy before Shakespeare and among his contemporaries.

LAURA ESTILL is Assistant Professor of English at Texas A&M University. She is the author of Dramatic Extracts in Seventeenth-Century English Manuscripts (University of Delaware Press, 2015) and editor of the World Shakespeare Bibliography (www.worldshakesbib.org).

WES FOLKERTH is Associate Professor in the Department of English at McGill University. His current research focuses on Shakespearean clowns and fools in the context of early modern intellectual disability.

AMIR KHAN completed his doctoral dissertation at the University of Ottawa in June 2013. He has published work in Popular Music and Society and Cineaction: Canada’s Leading Film Studies Journal. He is the author of Counter-factual Thinking and Shakespearean Tragedy (Edinburgh University Press, forthcoming). He is also the managing editor of Conversations: the Journal of Cavellian Studies.

DOMINIC KLYVE is Associate Professor of Mathematics at Central Washington University and Associate Director of the William O. Douglas Honors College. He has applied statistical techniques to the study of sonata-allegro form, gastroenterology, and (now) Shakespeare scholarship. His current [End Page 110] book project is an annotated translation (with Andie Ho) of Leonhard Euler’s Lettres à une Princesse D’Allemagne.

JAMES KUZNER is Assistant Professor of English at Brown University. He is the author of Open Subjects: English Renaissance Republicans, Modern Selfhoods, and the Virtue of Vulnerability (Edinburgh University Press, 2011), and of essays that have appeared in journals such as Shakespeare Quarterly, ELH, and Modern Language Quarterly. He is currently completing a book called Shakespeare as a Way of Life.

DAVID LINDLEY is Professor Emeritus at the University of Leeds, specializing in Renaissance literature. Recent publications include Shakespeare and Music (Arden Shakespeare, 2006), editions of eleven masques in The Cambridge Edition of the Works of Ben Jonson (2012), and the New Cambridge Shakespeare edition of The Tempest (revised edition, 2013).

SIMON PALFREY is Professor of English Literature at Brasenose College, Oxford University. His most recent books are Shakespeare’s Possible Worlds (Cambridge University Press, 2014) and Poor Tom: Living King Lear (University of Chicago Press, 2014). Birnam Wood, a critical fiction written with Ewan Fernie, will be published by Bloomsbury in 2016.

JULIE SANDERS is Professor of English Literature and Drama at the University of Nottingham, UK. She is the author of The Cultural Geography of Early Modern Drama, 1620–1650 (Cambridge University Press, 2011) and The Cambridge Introduction to Early Modern Drama, 1476–1642 (Cambridge University Press, 2014).

JOHN D. STAINES is Associate Professor of English Literature at John Jay College in the City University of New York. He is the author of The Tragic Histories of Mary Queen of Scots, 1560–1690: Rhetoric, Passions and Political Literature (Ashgate, 2009). He is currently working on representations of torture, terror, and violence in Shakespeare and Milton. [End Page 111]

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