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  • Notes on Contributors

Naama Cohen-Hanegbi is a Lecturer in the History Department of Tel Aviv University. She has published a number of articles on the medical and religious treatment of emotions and is currently preparing a monograph on the topic.

Alicia Marchant is a Research Associate at the Australian Research Council Centre of Excellence for the History of Emotions at The University of Western Australia. She is the author of The Revolt of Owain Glyndŵr in Medieval English Chronicles (York Medieval Press/Boydell & Brewer, 2014), and is currently compiling an edited collection that explores intersections between the history of emotions and the history of heritage.

Una McIlvenna is Lecturer in Early Modern Literature at Queen Mary, University of London. Her research into early modern execution ballads has resulted in forthcoming articles in Past & Present and Huntington Library Quarterly. She has also published articles on the sixteenth-century French court in the Journal of Early Modern History and in Nadine Akkerman and Birgit Houben, eds, The Politics of Female Households: Ladies-in-Waiting across Early Modern Europe (Brill, 2014). She is the author of Scandal and Reputation at the Court of Catherine de Medici (Ashgate, forthcoming).

Rebecca F. McNamara is an Associate Lecturer in the Department of English at the University of Sydney. She has published on the use of legal and political language in Middle English literature, and her current research focuses on the history of emotions related to the suicidal impulse in the Middle Ages.

Amy B. Oberlin is a PhD Candidate in the Department of History at Loyola University Chicago. Her dissertation, ‘Love and Loyal Actions: Royal Ceremony and Affective Rhetoric in the English Public Sphere, 1702–1727’, seeks to show that the monarchy, traditionally seen as withdrawing from the public, became increasingly accessible to its subjects through the exchange of affective expression. [End Page 249]

Eric Parisot is a Lecturer in the Department of English, Creative Writing, and Australian Studies, at Flinders University. He is also an Adjunct Fellow with the School of Communication and Arts at the University of Queensland, and an Associate Investigator with the Australian Research Council Centre of Excellence for the History of Emotions (Europe 1100–1800). His research focuses on eighteenth-century literary responses to death (especially suicide), most recently culminating in his first book, Graveyard Poetry (Ashgate, 2013).

Juanita Feros Ruys is the Director of the Sydney Node of the Australian Research Council Centre of Excellence for the History of Emotions and Associate Director of the Medieval and Early Modern Centre, at The University of Sydney. Her research interests include medieval parent–child didactic literature, twelfth-century autobiography, approaches to death in the Middle Ages, and scholastic demonology. [End Page 250]

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