- Lost Letter
I
I had wanted to write my uncle a letter in which I equated his solitude with my own. That week, a woman
leapt off the high bridge in St. Paul. I thought if I opened with the Mississippi it would lead to the barrenness
of Northeastern Colorado. A mother’s third attempt at suicide to one twin’s phone call to the other.
The week my uncle told my father he was dying, I ravaged slow all the things I’d never said—
What if our family is doomed to silence? As children, my sisters and I scoured Colorado’s horizon for trees,
so in love with the scarcity of water we didn’t consider its consequences. It had been ten years
since my father spoke to his twin. When we arrived at the house, yard torn up and muddy after sewage
had erupted the bathroom floor, I barely recognized the man who was almost my father. [End Page 46]
II
I thought if I could connect the history of ghost towns to my own life, the relation between us
would become clear: a world once renowned for wealth now nearly forgotten. The first time I left
this country, bacteria ate my body to less than a hundred pounds. I was a skeleton hobbling
a mountainside where at the center men blew from their mouths fire and young tourists met the buildings
their ancestors had made happen. Some say our family once owned whole counties in Northeastern
Colorado. What I remember is cattle farms. I can no longer describe the stench
of my uncle dying, only how quickly his body stilled and yellowed once he did.
What I remember is the powdered scent of my grandmother, the splotched foundation of her face,
how her entire apartment seemed blue even amidst the sand- painted tan of her furniture. [End Page 47]
Katie Nichol received her MFA in Poetry from the University of Arkansas, Fayetteville. Her poems have appeared in Cannibal, St. Petersburg Review, and elsewhere. She was a 2013 fellowship finalist for the Wisconsin Institute for Creative Writing and has served as the writing director for the NWA Prison Story Project.