Contributors’ Index

ARTICLES

Bhasin, Christine Scippa. “Prostitutes, Nuns, Actresses: Breaking the Convent Wall in Seventeenth-Century Venice.” 19–35.

Birringer, Johannes. “The Theatre and Its Screen Double.” 207–25.

Bleeker, Maaike, and Isis Germano. “Perceiving and Believing: An Enactive Approach to Spectatorship.” 363–83.

Cox, Lara. “Misogyny, Maids, and Murderesses: Toward a Feminist Reappraisal of Jean Genet’s Les Bonnes.” 227–40.

Graham-Jones, Jean. “Rethinking Buenos Aires Theatre in the Wake of 2001 and Emerging Structures of Resistance and Resilience.” 37–54.

Hamilton, Margaret. “Hayloft’s Thyestes: Adapting Seneca for the Australian Stage and Context.” 519–39.

Lavender, Andy. “Modal Transpositions toward Theatres of Encounter, or, in Praise of ‘Media Intermultimodality.’” 499–518.

Pate, George. “Whose Joke Is It Anyway? Originality and Theft in the World of Standup Comedy.” 55–71.

Reinelt, Janelle. “What UK Spectators Know: Understanding How We Come to Value Theatre.” 337–61.

Roxworthy, Emily. “Revitalizing Japanese American Internment: Critical Empathy and Role-Play in the Musical Allegiance and the Video Game Drama in the Delta.” 93–115.

Senior, Adele. “Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation.” 183–205.

Severn, John R. All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities.” 541–57.

Steen, Shannon. “Neoliberal Scandals: Foxconn, Mike Daisey, and the Turn Toward Nonfiction Drama.” 1–18.

Vourloumis, Hypatia. “‘Come and see what we do’: Contemporary Migrant Performances in Athens, Greece.” 241–55.

Willenbrink, Hank. “The Act of Being Saved: Hell House and the Salvific Performative.” 73–92.

Willis, Emma. “Emancipated Spectatorship and Subjective Drift: Understanding the Work of the Spectator in Erik Ehn’s Soulographie.” 385–403.

Wood, Bethany. “Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies.” 559–79.

Zaiontz, Keren. “Narcissistic Spectatorship in Immersive and One-on-One Performance.” 405–25.

PERFORMANCE REVIEW ESSAYS

Krebs, Katja. “Ghosts We Have Seen Before: Trends in Adaptation in Contemporary Performance.” 581–90.

Ridout, Nicholas. “Regarding Theatre: Thoughts on Recent Work by Simon Vincenzi and Romeo Castellucci.” 427–36.

PERFORMANCE REVIEWS

Armstrong, Richard H. The Screen Dreams of Buster Keaton. 448–50.

Beales, Meredith. Macbeth. 134–37.

———. Othello: A Dance in Three Acts. 134–37.

Betancourt, Manuel. The Two Character Play. 278–79.

Bisaha, David. Measure Back. 439–41.

Brady, Owen E. Mary Stuart. 279–83.

———. Romeo and Juliet. 279–83.

Buckner, Jocelyn L. The Tallest Tree in the Forest. 272–74.

Carlson, Marvin. Shakespeare. 458–61.

Chambers, Jonathan. In The Beginning Was The End. 122–24.

Chirico, Miriam. The House That Will Not Stand. 619–21.

Cuillé, Tili Boon. The Barber of Seville. 621–24.

———. The Marriage of Figaro. 621–24.

De Witte, Ben. La Zapatera Prodigiosa (The Prodigious Shoemaker’s Wife). 617–19.

Diamond, Catherine. bodytalk: Schlangen! 124–26.

Diamond, Elin. Love and Information. 462–65.

Evans, Rachel. Measure for Measure. 608–11.

Fernández, Esther, and Juan Hernando Vázquez. Don Gil of the Green Breeches. 614–17.

———. A Lady of Little Sense. 614–17.

———. Punishment without Revenge. 614–17.

Friedman, Andrew. 12-Spartenhaus. 262–63.

Grehan, Helena. Super Discount. 437–39.

Grunert, Andrea. The Night Alive. 144–46.

Herrold, Megan. Pericles, Prince of Tyre. 132–34.

Kim, Jae Kyoung. King Lear. 452–54.

Kingston, Talya. Ciara. 264–66.

———. The Events. 264–66.

Kurahashi, Yuko. Love in Afghanistan. 270–72.

Lodge, Mary Jo. Roddy Doyle’s The Commitments: A New Musical. 596–99.

———. Teenage Kicks: A Punk Musical. 596–99.

Low, Stephen. The Gay Heritage Project. 450–52.

Lowe, Leah. Children of the Sun. 126–28.

MacDonald, Laura. The Color Purple. 444–48.

———. The Scottsboro Boys. 444–48.

Matić, Ljubiša. Theatertreffen 2013. 117–22.

Murfin, Ira S. Testimonium. 257–60.

Nelson, Byron. Guys and Dolls. 604–8.

———. The Light in the Piazza. 604–8.

———. Major Barbara. 604–8.

Osborne, Elizabeth A. Four Days of Fury: Atlanta 1906. 441–44.

Park, Sang Mi. Ri Kōran. 274–76.

Pogar, Nathan Martinez. Hungry Woman. 268–70.

Pugh, Ian B. N. I, Cinna (The Poet). 130–32.

Raymundo, Emily. Christmas in Hanoi. 141–44.

Román, David. The Happiest Song Plays Last. 146–50.

———. Water by the Spoonful. 146–50.

Ryan, Courtney B. Spill. 601–4.

Sahakian, Emily. Sing Me a Tale, Tell...