Abstract

Encouraged by crumbling censorship strictures, sexploitation fan magazines evince a symbiotic relationship between the adults-only film and publishing industries of the 1960s. Although largely sold for their nude photos, lurid publications like Adam Film Quarterly also critically commented on a transitional period in which men’s unfulfilled erotic fantasies gradually gave way to more explicit evidence of sexual permissiveness, both onscreen and off.

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Additional Information

ISSN
1553-3905
Print ISSN
0892-2160
Pages
pp. 106-143
Launched on MUSE
2014-11-07
Open Access
No
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