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  • The Current, and: Small Sillion
  • Joshua McKinney (bio)

The Current

Somewhere there is always a wind somewhere a wind is always there its thousands of blind eyes groping for anthems

Somewhere a wind carries away children’s voices carry the wind’s garments lashed to their backs across sun-cracked plains

Somewhere a wind is a memory of rivers dammed by a wind whose parentage uproots the gaze of exiles

Comes the elsewhere that is the wind is the embodiment of turning one’s face from an empty sleeve twisting once more in a wind

and somewhere a wind presses itself once more against a woman who can no longer feel the reason behind such advances

there is a wind whimpering in the universe despaired of an abandoned barn where it has smothered its pet shame a breeze

is the lie a wind tells and tells once more erasing smoke from gun barrels a wind fires the forest’s genuflection of broken limbs

pointing somewhere a wind cannot go to the place our inarticulate eyes stutter at the edge of the steep sky’s order [End Page 144]

Somewhere there is always a wind rousting ghosts from the ridge crust of mountains is a page of old snow

dotted somewhere always somewhere else with blood for the good of a god do not think a hawk is free the eagle

is trapped by a wind a humble wind that refuses to be the wind O anonymous wind somewhere always always somewhere else

is a wind distributing agency O somewhere wind tending the crazy waving of rent banners that were once the truce flags of clouds [End Page 145]

Small Sillion

in the meantime the earthworm’s tender       overthrow unperceived     in the ground I strode on whose surface   sensitive to touch reflects the eye’s mute logic the invisible   shape of smells     excreted castings—   the gizzard-worked gritscoured ochre scored over   the cheeks of men     themselves become loam

we shall

    each creature

  inside the soul     of our own flesh

plough a small sillion

  free

    and unperceived [End Page 146]

Joshua McKinney

Joshua McKinney is the author of three collections of poetry, the most recent of which is Mad Cursive (Wordcraft of Oregon, 2012). His work has appeared in such journals as Boulevard, Colorado Review, Denver Quarterly, the Kenyon Review, New American Writing, and many others. He teaches literature at California State University, Sacramento.

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