- The Current, and: Small Sillion
The Current
Somewhere there is always a wind somewhere a wind is always there its thousands of blind eyes groping for anthems
Somewhere a wind carries away children’s voices carry the wind’s garments lashed to their backs across sun-cracked plains
Somewhere a wind is a memory of rivers dammed by a wind whose parentage uproots the gaze of exiles
Comes the elsewhere that is the wind is the embodiment of turning one’s face from an empty sleeve twisting once more in a wind
and somewhere a wind presses itself once more against a woman who can no longer feel the reason behind such advances
there is a wind whimpering in the universe despaired of an abandoned barn where it has smothered its pet shame a breeze
is the lie a wind tells and tells once more erasing smoke from gun barrels a wind fires the forest’s genuflection of broken limbs
pointing somewhere a wind cannot go to the place our inarticulate eyes stutter at the edge of the steep sky’s order [End Page 144]
Somewhere there is always a wind rousting ghosts from the ridge crust of mountains is a page of old snow
dotted somewhere always somewhere else with blood for the good of a god do not think a hawk is free the eagle
is trapped by a wind a humble wind that refuses to be the wind O anonymous wind somewhere always always somewhere else
is a wind distributing agency O somewhere wind tending the crazy waving of rent banners that were once the truce flags of clouds [End Page 145]
Small Sillion
in the meantime the earthworm’s tender overthrow unperceived in the ground I strode on whose surface sensitive to touch reflects the eye’s mute logic the invisible shape of smells excreted castings— the gizzard-worked gritscoured ochre scored over the cheeks of men themselves become loam
we shall
each creature
inside the soul of our own flesh
plough a small sillion
free
and unperceived [End Page 146]
Joshua McKinney is the author of three collections of poetry, the most recent of which is Mad Cursive (Wordcraft of Oregon, 2012). His work has appeared in such journals as Boulevard, Colorado Review, Denver Quarterly, the Kenyon Review, New American Writing, and many others. He teaches literature at California State University, Sacramento.