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  • Contemporary Aesthetic Theory
  • H. R. MacCallum

Footnotes

* In a Bibliographical Note, appended to the article, the author supplies the titles of some of the principal works in which these theories are advanced or summarized. [Editor’s Note]

BIBLIOGRAPHICAL NOTE

Alain, Système des beaux arts (1926).
——— Vingt Leçons sur les beaux arts (1931).
S. Alexander, Beauty and Other Forms of Value (1933).
O. Baensch, “Kunst und Gefühl” (Logas, XIII, 1923).
C. Bell, Art (1914).
H. Bergson, Laughter (1911).
B. Bosanquet, Three Lectures on Aesthetic (1915).
E. F. Carritt, The Theory of Beauty (1928).
————— What is Beauty? (1932).
E. Cassirer, Kants Leben und Lehre (1923), chap. vi.
H. Cohen, Aesthetik des reinen Gefühls, 2 vols. (1912).
B. Croce, Essence of Aesthetic (1921).
H. Delacroix, Psychologie de l’art (1927).
C. J. Ducasse, Philosophy of Art (1929).
R. Fry, Transformations (1926).
——— Vision and Design (1920).
G. Gentile, The Philosophy of Art (1932).
T. Lipps, Aesthetik, 2 vols. (1903).
Listowel, Critical History of Modern Aesthetics (1933).
H. Nohl, “Die Mehrseitige Funktion der Kunst” (Deutsche Viertelsjahrschrift f. Lit. u. Geistesgeschichte, 1927).
R. Odebrecht, Aesthetik der Gegenwart (1935).
H. Read, The Meaning of Art (1931).
W. T. Stace, The Meaning of Beauty (1929).
H. Wölfflin, Principles of Art History (1932).
W. Worringer, Abstraktion und Einfühlung (1908).
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