Contributors
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Andrew G. Bonnell (a.bonnell@uq.edu.au) is an associate professor of History at the University of Queensland, Australia. Publications include The People’s Stage in Imperial Germany (2005), Shylock in Germany: Antisemitism and the German Theatre from the Enlightenment to the Nazis (2008), and (edited) An American Witness in Nazi Frankfurt (2011).
Kathrin Bower (kbower@richmond.edu) is Associate Professor and Coordinator of German Studies at the University of Richmond in Virginia. She is the author of articles and essays on Holocaust poetry, German-Jewish writers, German cinema, post-unification rap, and Turkish German satire as well as a book on Nelly Sachs and Rose Ausländer.
Amanda M. Brian (abrian@coastal.edu) is an assistant professor of History at Coastal Carolina University. She completed her PhD in 2009 at the University of Illinois, Urbana-Champaign. She has previously published on baby biographies and the artist Heinrich Zille; her current project is on the science of childhood in Imperial Germany.
Stephen Brockmann (smb@andrew.cmu.edu) is Professor of German at Carnegie Mellon University and was, in 2011–2012, president of the GSA. He is the author of A Critical History of German Film (2010), Nuremberg: The Imaginary Capital (2006), German Literary Culture at the Zero Hour (2004), and Literature and German Reunification (1999).
Berna Gueneli (guenelib@grinnell.edu) is Assistant Professor of German Studies at Grinnell College. Her research interests comprise contemporary transnational cinema in a European context, German film history, Weimar and German exile cinema, film sound, and Turkish-German Studies. Currently, she is working on a monograph on Fatih Akın and contemporary European cinema.
Sonja Klocke (sklocke@wisc.edu) is Assistant Professor of German at the University of Wisconsin–Madison. Her research focuses on twentieth and twenty-first century literature and culture, particularly women’s writing, East German literature, and texts on migration and globalization. She has published on globalization, GDR literature, and the “Wende” and unification. [End Page 485]
