Abstract

The 2013 collapse of the Rana Plaza garment factory in Bangladesh evoked iconic moments in labor history when primarily young, female participants in the garment industry suffered and organized for their lives. Today, the chain of young, female, often migrant labor stretches from the ruined factories of Bangladesh to global style centers like New York and London, where legions of underpaid or unpaid interns, models, and other workers form a creative underclass. In the United States, many have few or no protections under the National Labor Relations Act. And unlike factory workers, the creative side of the industry is just beginning to organize. Both sides are working to close the geographic and conceptual space dividing fashion and labor.

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