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Books Received
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Books Received
Anderson, Judith H. and Jennifer C. Vaught, eds. Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary. NY: Fordham UP, 2013.
Banks, Daniel. Say Word! Voices From Hip Hop Theatre. Ann Arbor: U of Michigan P, 2011.
*Barker, Roberta and Kim Solga, eds. New Canadian Realisms. Toronto: Playwrights Canadian Press, 2012.
Bate, Jonathan and Dora Thornton. Shakespeare: Staging the World. NY: Oxford UP, 2012.
Bayer, Mark. Theatre, Community, and Civic Engagement in Jacobean London. Studies in Theatre History and Culture. Iowa City: U of Iowa P, 2011.
*Bayly, Simon. A Pathology of Performance. NY: Palgrave, 2011.
**Bennett, Michael Y. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. NY: Palgrave, 2011.
Berger, Harry, Jr. A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice. NY: Fordham UP, 2013.
Binnerts, Paul. Acting in Real Time. Translated by Paul Binnerts and Stephen Wangh. Ann Arbor: U of Michigan P, 2012.
Blau, Herbert. Programming Theater History: The Actor’s Workshop of San Francisco. Introduction by Elin Diamond. NY: Routledge, 2013.
Bonczek, Rose Burnett and David Storck. Ensemble Theatre Making: A Practical Guide. NY: Routledge, 2013.
**Bosher, Kathryn, ed. Theater Outside Athens: Drama in Greek Sicily and South Italy. NY: Cambridge UP, 2012.
Burke, Margaret R. Gavin Bolton’s Contextual Drama: the Road Less Travelled. Theatre in Education. Chicago: Intellect, 2013. [End Page 105]
Burnett, Mark Thornton and Adrian Streete, eds. Filming and Performing: Renaissance History. NY: Palgrave, 2011.
Burnett Bonczek, Rose and David Storck. Ensemble Theatre Making: A Practical Guide. NY: Routledge, 2013.
*Canton, Ursula. Biographical Theatre: Re-Presenting Real People? NY: Palgrave, 2011.
**Carlson, Julie A. and Elisabeth Weber, eds. Speaking About Torture. NY: Fordham UP, 2012.
*Carney, Sean. The Politics and Poetics of Contemporary English Tragedy. Toronto: U of Toronto P, 2013.
Claycomb, Ryan. Lives in Play: Autobiography and Biography on the Feminist Stage. Ann Arbor: U of Michigan P, 2012.
Clayton, J. Douglas and Yana Meerzon. Adapting Chekhov: The Text and its Mutations. Routledge Advances in Theatre and Performance Studies. NY: Routledge, 2013.
Colbert, Soyica Diggs. The African American Theatrical Body. NY: Cambridge UP, 2011.
Conquergood, Dwight. Cultural Struggles: Performance, Ethnography, Praxis. Ed. and introduction by E. Patrick Johnson. Ann Arbor: U of Michigan P, 2013.
Cott, Jonathan. Dinner with Lenny: The Last Long Interview with Leonard Bernstein. NY: Oxford UP, 2013.
Cull, Laura and Will Daddario, eds. Manifesto Now! Instructions for Performance, Philosophy, Politics. Chicago: Intellect/U of Chicago P, 2013.
Cramer, Lyn. Creating Musical Theatre: Conversations with Broadway Directors and Choreographers. NY: Bloomsbury/Methuen, 2013.
**Cummings, Alex Sayf. Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century. NY: Oxford UP, 2013.
*Cummings, Scott T. Maria Irene Fornes. Routledge Modern and Contemporary Dramatists. NY: Routledge, 2013. [End Page 106]
Daniel, Drew. The Melancholy Assemblage: Affect and Epistomology in the English Renaissance. NY: Fordham UP, 2013.
**Davis, Andrew. Baggy Pants Comedy: Burlesque and the Oral Tradition. Studies in Theatre and Performance History. NY: Palgrave, 2011.
Davis, Peggy Cooper and Lizzy Cooper Davis, Eds. Enacting Pleasure: Artists and Scholars Respond to Carol Gilligan’s New Map of Love. NY: Seagull, 2011.
Di Benedetto, Stephen. An Introduction to Theatre Design. NY: Routledge, 2012.
*Essin, Christin. Stage Designers in Early Twentieth Century America: Artists, Activists, Cultural Critics. Palgrave Studies in Theatre and Performance History. NY: Palgrave, 2012.
Fantasia, Louis. Tragedy in the Age of Oprah: Essays on Five Great Plays. Lanham, MD: Scarecrow P, 2013.
Feldman, Alexander. Dramas of the Past on the Twentieth-Century Stage: In History’s Wings. Routledge Advances in Theatre and Performance Studies. NY: Rout-ledge, 2013.
Figueira, Dorothy and Marc Maufort, eds., with Sylvie Vranckx. Theatres in the Round: Multi-Ethnic and Intertextual Dialogues in Drama. Brussels: Peter Lang, 2011.
*Fischer, Iris. Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: U of Michigan P, 2011.
Fisher, James. Historical Dictionary of Contemporary American Theater: 1930–2010, Vol. 1 & 2. Lanham, MD: Scarecrow, 2011.
Ford, John. The Lady’s Trial. Ed. Lisa Hopkins. NY: Manchester UP/Palgrave, 2011.
Foster, Verna A., ed. Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays. Jefferson, NC: McFarland & Company, Inc., 2012.
Franko, Mark. Martha Graham...