Authors of Articles in this Issue
- Authors of Articles in this Issue
Eric Clarke is Heather Professor of Music at the University of Oxford. He has published on various topics in the psychology of music, music theory, and musical aesthetics/ecology. He is an Associate Director of the AHRC Centre for Musical Performance as Creative Practice, leading the Oxford project on ‘Creative Practice in Contemporary Concert Music’.
Ben Earle is Lecturer in Music at the University of Birmingham. His monograph Luigi Dallapiccola and Musical Modernism in Fascist Italy was published by Cambridge University Press. Other recent work has appeared in the volumes Robert Adlington (ed.), Red Strains: Music and Communism outside the Communist Bloc (British Academy/OUP) and Lorenzo Frassà and Michela Niccolai (eds.), Verdi Reception (Brepols).
Mark Doffman is a post-doctoral research fellow at the University of Oxford. His research interests encompass musical creativity, time and timing, jazz performance, and musical interaction. In addition to his research and teaching, he maintains an active career as a jazz drummer.
Liza Lim is Professor of Composition and Director of CeReNeM, the Centre for Research in New Music at the University of Huddersfield. The score of Tongue of the Invisible was published by Ricordi (Munich) (Sy.4063) and the CD recording by WERGO (WER68592).
Andreas Loewe, FRHistS, is Dean of St Paul’s Cathedral, Melbourne, Fellow and Lecturer in Music at the Melbourne Conservatorium of Music, The University of Melbourne, and a Research Associate of the University of Divinity, Melbourne.
Matthew Mugmon is Assistant Professor of Music History at the University of Arizona. He received his Ph.D. in musicology from Harvard University. His research centres on the intersection of transnational musical modernism and the reception of Gustav Mahler’s music. [End Page 732]
