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  • Index to Volume 56, 2013

Articles

aston, elaine. Caryl Churchill’s Political Shape-Shifting at the Turn of the Millennium 145

beggs, anne, Revisiting Marat/Sade: Philosophy in the Asylum, Asylum in the Theatre 60

biers, katherine. Stages of Thought: Emerson, Maeterlinck, Glaspell 457

brown, jeffrey m. Enacting the Obituary: The “Successful Failure” of T.S. Eliot’s The Elder Statesman 165

chiasson, basil, Harold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect 80

cull, laura. Philosophy as Drama: Deleuze and Dramatization in the Context of Performance Philosophy 498

currell, susan. “Wall Street Lays an Egg”: Financial Drama and the 1933 Banking Collapse in Archibald MacLeish’s Panic: A Drama of Industrial Crisis (1935) 327

diedrich, antje. “Last in a Long Line of Literary Kleptomaniacs”: Intertextuality in Sarah Kane’s 4.48 Psychosis 374

harris, susan cannon, Mobilizing Maurya: J.M. Synge, Bertolt Brecht, and the Revolutionary Mother 38

kornhaber, david. Introduction: Drama and Philosophy 2.0 419

kornhaber, david. The Genealogy of Major Barbara: Nietzschean Philosophy and the Shavian Play of Ideas 269

krasner, david. Harold Pinter’s The Homecoming and Postmodern Jewish Philosophy 478

lipshitz, yair. The Clown’s Lost Twin: Messianic Moments in Hanoch Levin’s Drama 232

maley, patrick. What Is and What Aint: Topdog/Underdog and the American Hustle 186

moi, toril. Hedda’s Silences: Beauty and Despair in Hedda Gabler 434

morra, irene. The Habit of Art: In the Beginning Was the Word 352

puchner, martin. Afterword: Please Mind the Gap between Theatre and Philosophy 540

rokem, freddie. The Logic of/in Tragedy: Hanoch Levin’s Drama The Torments of Job 521

Reviews

brater, enoch,10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason by S.E. Gontarski 126 [End Page 575]

bratton, jacky, The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 18301870 by Rosemary Barrow 128

cliff, brian and nicholas grene, eds., Synge and Edwardian Ireland by Sarah L. Townsend 130

clum, john m., The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present by Jason Fitzgerald 132

hibberd, sarah, ed., Melodramatic Voices: Understanding Music Drama by Sherry Lee 135

mitchell, koritha, Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 18901930 by Harvey Young 137

russell, richard rankin. Home, Exile, and Unease in Brian Friel’s Globalized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen) 206

soloski, alexis. “The Great Imitator”: Staging Syphilis in A Doll House and Ghosts 287

vork, robert. Things That No One Can Say: The Unspeakable Actin Artaud’s Les Cenci 306

wake, caroline, To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire 102

wixson, christopher, “These Noxious Microbes”: Pathological Dramaturgy in George Bernard Shaw’s Too True to Be Good 1

yde, matthew, Bernard Shaw’s Stalinist Allegory: The Simpleton of the Unexpected Isles 19

smith, william jay, My Friend Tom: The Poet-Playwright Tennessee Williams by Philip C. Kolin 140

stanlake, christy, Native American Drama: A Critical Perspective by S. E. Wilmer 142

essin, christin.Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christopher Baugh 556

schanke, robert a.Queer Theatre and the Legacy of Cal Yeomans by Darren Patrick Blaney 569

witt, mary ann frese. Metatheatre and Modernity: Baroque and Neobaroque by Patricia Gaborik 559

richtarik, marilynn. Stewart Parker: A Life by Charlotte J. Headrick 566

hughes, jenny. Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty by Wendy S. Hesford 562

kuppers, petra. Disability Culture and Community Performance: Find a Strange and Twisted Shape by Patrick McKelvey 564

scuderi, antonio. Dario Fo: Framing, Festival, and the Folkloric Imagination by Francesca Spedalieri 571

holmgren, beth. Starring Madame Modjeska: On Tour in Poland and America by Kazimierz Braun 250 [End Page 576]

smith, cherise. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith by Jennifer De-Vere Brody 252

spencer, jenny, ed. Political and Protest Theatre after 9/11: Patriotic Dissent by Lindsay B. Cummings 254

leask, margaret. Lena Ashwell: Actress, Patriot, Pioneer by Nicholas Dekker 256...

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