- Index
Author/Title | Vol. NO. | Pages |
---|---|---|
Alban, Gillian M.E. Medusa as Female Eye or Icon in Atwood, Murdoch, Carter, and Plath | 46.4 | 163-82 |
Bailey, Suzanne Ethics, Aesthetics, Modernism, and the Primitive in P.K. Page’s Brazilian Journal | 46.1 | 53-75 |
Bolt, David Aesthetic Blindness: Symbolism, Realism, and Reality | 46.3 | 93-108 |
Brown, Nahum The Modality of Sovereignty: Agamben and the Aporia of Primacy in Aristotle’s Metaphysics Theta | 46.1 | 169-82 |
Carter, Josephine The Ethics of the Melancholic Witness: Janet Frame and W.G. Sebald | 46.1 | 1-18 |
Casey, Janet G. Realism and the Discursive Dynamics of the Popular Periodical, 1900-1930 | 46.2 | 123-45 |
Dickinson, Philip Feeling, Affect, Exposure: Ethical (In)capacity, the Sympathetic Imagination, and J.M. Coetzee’s Disgrace | 46.4 | 1-19 |
Duran, Angelica The Blind Bard, According to John Milton and His Contemporaries | 46.3 | 141-57 |
Gill, R.B. The Uses of Genre and the Classification of Speculative Fiction | 46.2 | 71-85 |
Goodman, Susan Bearing Witness: Edith Wharton’s The Book of the Homeless | 46.2 | 87-103 |
Hall, Susanne E. Hart Crane in Mexico: The End of a New World Poetics | 46.1 | 135-49 |
Hamilton, Geoff “Murder Everywhere”: Whitman, Lish, and the Face of Self-Celebration | 46.1 | 151-67 |
Helvacıoglu, Banu Melancholy and Hüzün in Orhan Pamuk’s Istanbul | 46.2 | 163-78 |
Janes, Daniela The Limits of the Story: Reading the Castaway Narrative in A Strange Manuscript Found in a Copper Cylinder and Life of Pi | 46.4 | 109-25 |
Jewell, Tess Blinding the Screen: Visualizing Disability in Le scaphandre et le papillon | 46.3 | 109-24 |
Kelman, David To the Side of the Day: Comparison without Comparison in Pynchon (and…) | 46.3 | 125-39 |
Kilgore, Christopher D. Rhetoric of the Network: Toward a New Metaphor | 46.4 | 37-58 |
Kim, Hyo K. Embodying the In-Between: Theresa Hak Kyung Cha’s Dictee | 46.4 | 127-43 |
Linett, Maren Blindness and Intimacy in Early Twentieth-Century Literature | 46.3 | 27-42 |
McGowan, Todd The Presence of Phenomenology: Hegel and the Return to Metaphysics | 46.1 | 95-111 |
McLennan, Rachael Cautionary Whales? Adolescence and Genre in Juno and Push | 46.2 | 105-21 |
Mahlstedt, Andrew Animal’s Eyes: Spectacular Invisibility and the Terms of Recognition in Indra Sinha’s Animal’s People | 46.3 | 59-74 |
Marrouchi, Mustapha Possibles: Of Blodgett/Brault | 46.2 | 1-18 |
Marshall, Ian Stalking the Gaps: The Biopoetics of Haiku | 46.4 | 91-107 |
Mattison, Laci Nabokov’s Aesthetic Bergsonism: An Intuitive, Reperceptualized Time | 46.1 | 37-52 |
Morrison, Ray The City and its Ontology in Lawrence Durrell’s Alexandria Quartet | 46.2 | 55-70 |
Neimneh, Shadi The Anti-Hero in Modernist Fiction: From Irony to Cultural Renewal | 46.4 | 75-90 |
Newman-Stille, Derek Where Blindness is Not (?) a Disability: Alison Sinclair’s Darkborn Trilogy | 46.3 | 43-58 |
Olsén, Jan Eric Vicariates of the Eye: Blindness, Sense Substitution, and Writing Devices in the Nineteenth Century | 46.3 | 75-91 |
Ou, Hsin-yun The Chinese Stereotypical Signification in Ah Sin | 46.4 | 145-61 |
Paterson, Mark “Looking on darkness, which the blind do see”: Blindness, Empathy, and Feeling Seeing | 46.3 | 159-77 |
Petit, Susan Living in Different Universes: Autism and Race in Robinson’s Gilead and Home | 46.2 | 39-54 |
Punday, Daniel Donald Barthelme and the Emergence of the Dynamic Page | 46.1 | 113-33 |
Rottenberg, Catherine Wallace Thurman’s The Blacker the Berry and the Question of the Emancipatory City | 46.4 | 59-74 |
Scherr, Rebecca Shaking Hands with Other People’s Pain: Joe Sacco’s Palestine | 46.1 | 19-36 |
Signori, Lisa F. Social Commentary in Coline Serreau’s Saint-Jacques… La Mecque | 46.4 | 21-36 |
Steeves, H. Peter Gone, Missing | 46.3 | 1-26 |
Svendsen, Christina Hiding in Plain Sight: Problems of Modernist Self-Representation in the Encounter Between Adolf Loos and Josephine Baker | 46.2 | 19-37 |
Wolfe, Graham Making the Real Appear: Schmitt’s Enigma Variations as a “Traversal of the Fantasy” | 46.2 | 147-62 |
Zeng, Minhao The Intricacies of Cosmopolitanism: Shirley Geok-lin Lim’s Among the White Moon Faces | 46... |