Mosaic: a journal for the interdisciplinary study of literature
Volume 46, Number 4, December 2013
pp. 59-74 | 10.1353/mos.2013.0046
Focusing on the representation of Harlem, I examine how Wallace Thurman’s 1929 The Blacker the Berry explicitly challenges the notion of “the emancipatory city” while emphasizing the spatial aspect of subject formation. Thurman underscores both the city’s liberating potential and its simultaneous tendency to reinforce dominant normative schemes.