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  • Authors of Articles in this Issue

stefanie beghein is a Research Fellow of the Research Foundation Flanders (fwo) and a member of the Centre for Urban History (Department of History) at the University of Antwerp in Belgium. She is preparing a Ph.D. dissertation on church music and religious culture in seventeenth- and eighteenth-century Antwerp.

david j. code is Lecturer in Music at the University of Glasgow. Previously he taught at Stanford on a Mellon Postdoctoral Fellowship and at Bishop’s University in Quebec. The author of a critical biography of Debussy, he has also published major articles on Debussy, Stravinsky, Mallarmeé, and the film music of Stanley Kubrick.

elisabeth le guin is a Baroque cellist, Professor of historical musicology at UCLA, and enthusiastic student of the Mexican son jarocho tradition. Her book Boccherini’s Body appeared in 2006 with the University of California Press. Her current project, tentatively entitled Indispensable Ornaments, focuses on theatre music and culture in eighteenth-century Spain.

david maw is Tutor and Research Fellow in Music at Oriel College, Oxford and also holds Lectureships at Christ Church, The Queen’s College, and Trinity College. [End Page 569]

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