In lieu of an abstract, here is a brief excerpt of the content:

  • Author and Title Index to Callaloo Volume 36(Whole Numbers 134–137)
  • Compiled by Kathryn B. Karasek & Sarah Dean

By Author

  • Achebe, Chinua. “Listening to Chinua Achebe: A Memory,” interview, Charles Henry Rowell, 36.2 (Spring 2013): 226–231.

  • Ahuja, Mequitta. “Royal Ease,” Art, 36.2 (Spring 2013): Front Cover; “Surge,” Art, 36.2 (Spring 2013): Back Cover.

  • Aldana, Ligia S. “‘Somos Afro’: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia,” Article, 36.2 (Spring 2013): 391–402.

  • Alexander, Meena. “Graduation 1949,” Poetry, 36.1 (Winter 2013): 29–30; “in Memory of Roy DeCarava (1919–2009),” Nonfiction, 36.1 (Winter 2013): 27–28; “What Cleopatra Sees,” Poetry, 36.1 (Winter 2013): 31–32.

  • Allfrey, Ellah. interview, Charles Henry Rowell, 36.3 (Summer 2013): 753–757.

  • Avant, A. H. Jerriod. “Unusual Tightrope,” Poetry, 36.1 (Winter 2013): 84–85.

  • Baltrop, Alvin. “Portfolio of Photographs,” Art, 36.1 (Winter 2013): 55–64.

  • Banner, Rachel. “Surface and Stasis: Re-reading Slave Narrative via The History of Mary Prince,” Article, 36.2 (Spring 2013): 298–311.

  • Barron, Briaan L. “Ballads Behind Bars: The Music of Lyfe Jennings as Art, Critique, and Healing Remedy,” Article, 36.2 (Spring 2013): 403–413.

  • Bayeza, Ifa. “The 2012 Callaloo Conference: Overview,” Nonfiction, 36.3 (Summer 2013): 573–575; “Remembering Chinua Achebe,” Nonfiction, 36.2 (Spring 2013): 223–225.

  • Bellamy, Maria Rice. “Edwidge Danticat: A Reader’s Guide by Martin Munro,” Review, 36.2 (Spring 2013): 463–466.

  • Bennett, Michael Y. “Dominance and the Triumph of the White Trickster Over the Black Picaro in Amiri Baraka’s Great Goodness of Life: A Coon Show,” Article, 36.2 (Spring 2013): 312–321.

  • Billy, Yves. “Édouard Glissant in front of the sculptures of the Memorial to Slavery in Martinique during his last visit to the island in 2009,” Art, 36.4 (Fall 2013): Back Cover.

  • Blumenthal, Rachel A. “Canonicity, Genre, and the Politics of Editing: How We Read Frederick Douglass,” Article, 36.1 (Winter 2013): 178–190.

  • Bojsen, Heidi. “Taking Glissant’s Philosophy into Social Sciences?: A Discussion of the Place of Aesthetics in Critical Development Discourse,” Article, 36.4 (Fall 2013): 995–1013.

  • Bowling, Frank. “Dancer,” Art, 36.3 (Summer 2013): Front Cover; “Great Thames iii,” Art, 36.3 (Summer 2013): Back Cover.

  • Britton, Celia. “Philosophy, Poetics, Politics,” Nonfiction, 36.4 (Fall 2013): 841–847.

  • Brown, Jayna. “Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein,” Review, 36.2 (Spring 2013): 482–485.

  • Brown, Matthew D. “Olaudah Equiano and the Sailor’s Telegraph: The Interesting Narrative and the Source of Black Abolitionism,” Article, 36.1 (Winter 2013): 191–201.

  • Bryan, Courtney. interview, Tyehimba Jess, 36.3 (Summer 2013): 601–607.

  • Carson, Jack, Jr. “Unexpected Places: Relocating Nineteenth Century African American Literature by Eric Gardner,” Review, 36.2 (Spring 2013): 469–471.

  • Chaney, Michael A. “Slave Memory Without Words in Kyle Bakers’s Nat Turner,” Article, 36.2 (Spring 2013): 279–297.

  • Charlton, Ryan. “My Southern Home (Or, The South and Its People) by William Wells Brown,” Review, 36.2 (Spring 2013): 461–463.

  • Church, Emily Musil. “in Search of Seven Sisters: A Biography of the Nardal Sisters of Martinique,” Article, 36.2 (Spring 2013): 375–390.

  • Condé, Maryse. “Memories of Reading Les Indes for the First Time,” Nonfiction, Trans. Celia Britton, 36.4 (Fall 2013): 865–868.

  • Conley, Tameka Cage. “The Blue Between,” Poetry, 36.2 (Spring 2013): 255–256; “Cartize, for Brittanica,” Poetry, 36.2 (Spring 2013): 254; “Catfish,” Poetry, 36.2 (Spring 2013): 257–258.

  • Conquest, Lyle. “Édouard Glissant in Stonehaven, Scotland, 1996,” Art, 36.4 (Fall 2013): 982.

  • Coombs, Adam. “Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the [End Page 1039] Hip Hop Movement by Reiland Rabaka and From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White,” Review, 36.2 (Spring 2013): 474–477.

  • Cooper, Desiree. “Heaven is a Place for You,” Poetry, 36.1 (Winter 2013): 53–54.

  • Corio, Alessandro. “Édouard Glissant in Martinique during the Prix Carbet de la Caraïbe and commemoration of Aimé Césaire’s grave in Fort-de-France, 2009,” Art, 36.4 (Fall...

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Additional Information

ISSN
1080-6512
Print ISSN
0161-2492
Pages
pp. 1039-1046
Launched on MUSE
2013-11-08
Open Access
No
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