Acclamation
Buy Issue for $25 at JHUP- Acclamation*
It was the salt in the cauldron of time. All that remains is the dark urn ofwords. Is there a morning? Certainly the darkness is of good presage, —whenthe words gleam on the doorstep of the house. In this kingdom of our hands. [End Page 854]
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J’espère en la parole des paysages. Sketch of Édouard Glissant by Sylvie Sema. Handwritten inscription by Édouard Glissant.
[End Page 855]
Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature at the Graduate Center of the City University of New York. She is author of such works as The Surrealist Look: An Erotics of Encounter, Women of Bloomsbury: Virginia, Vanessa, and Carrington, Robert Motherwell: What Art Holds, Picasso’s Weeping Woman: The Life and Art of Dora Maar, Robert Motherwell with Pen and Brush, and is editor and translator of Approximate Man and Other Writings by Tristan Tzara, The Secret Art of Antonin Artaud by Jacques Derrida, and Ostinato by Louis-René des Forêts; the editor and co-translator of the HarperCollins World Reader, The Yale Anthology of Twentieth-Century French Poetry, Capital of Pain by Paul Eluard, Essential Poems and Writings of Robert Desnos, Surrealist Painters and Poets, Surrealism, Surrealist Love Poems, and the co-editor and co-translator of Poems of André Breton and of Furor and Mystery and Other Writings of René Char. Recently, she has published Surprised in Translation, How Vita Matters, and Provençal Cooking: Savoring the Simple Life in France. She is the recipient of fellowships from such institutions as Guggenheim, National Endowment for the Humanities, Getty, and Rockefeller, and is a fellow of the New York Institute for the Humanities and the American Academy of Arts and Sciences.
Footnotes
* “Acclamation” was originally published in French in Sel noir (Paris: Gallimard, 1983). The English translation is published with permission from Gallimard.
