Abstract

This essay explores the changing cultural meanings of the comparison between satire and medicine in literature of the late seventeenth and early eighteenth century (1660–1800). Drawing on examples from a wide range of texts, I argue that medical rhetoric not only remained important in the theorization and classification of satire as a genre, but also played a prominent role within satiric literature, as writers began to complicate and challenge the conventional critical associations between satirists and physicians. Ultimately, I suggest that the satire-as-medicine metaphor came to stand in for a number of important cultural debates, including those between the arts and sciences, between “high” and “low” art, and between the ancients and moderns.

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