Abstract

This article offers an examination of the unusual career of Austrian-born filmmaker Edgar G. Ulmer. Several examples from the director's eclectic oeuvre are used to support the idea that exile is a vital strain in Ulmer's aesthetic and cultural sensibility.

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Additional Information

ISSN
1527-2087
Print ISSN
0009-7101
Pages
pp. 3-25
Launched on MUSE
2004-02-17
Open Access
No
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