In lieu of an abstract, here is a brief excerpt of the content:

  • Books Received
Anderson, Joseph L. Enter a Samurai: Kawakami Otojirõ and Japanese Theatre in the West. Vols. 1 and 2. Tucson: Wheatmark, 2011.
Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: New York University Press, 2011.
Chazin-Bennahum, Judith. René Blum and the Ballets Russes: In Search of a Lost Life. New York: Oxford University Press, 2011.
Estok, Simon. Ecocriticism and Shakespeare: Reading Ecophobia. New York: Palgrave MacMillan, 2011.
Garebian, Keith. The Making of Cabaret. 2nd ed. New York: Oxford University Press, 2011.
Hart, Jonathan. Shakespeare and His Contemporaries. New York: Palgrave MacMillan, 2011.
Holdsworth, Nadine. Joan Littlewood's Theatre. New York: Cambridge University Press, 2011.
Knapp, James A. Image Ethics in Shakespeare and Spenser. New York: Palgrave MacMillan, 2011.
O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770-1790. Baltimore: Johns Hopkins University Press, 2011.
Ramirez, Elizabeth C., and Catherine Casiano, eds. La Voz Latina: Contemporary Plays and Performance Pieces by Latinas. Urbana: University of Illinois Press, 2011.
Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.
Storm, William. Irony and the Modern Theatre. New York: Cambridge University Press, 2011. [End Page 249]
Sullivan, Jill A. The Politics of the Pantomime: Regional Identity in the Theatre, 1860-1900. Hertfordshire: University of Hertfordshire Press, 2011.
Thompson, Ayanna. Passing Strange: Shakespeare, Race, and Contemporary America. New York: Oxford University Press, 2011.
Wiles, David. Theatre and Citizenship: The History of a Practice. London: Cambridge University Press, 2011. [End Page 250]
...

pdf

Share