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@uNTVERSITY OF TORONTO PRESS lNCORPORATED 2003 All rights reserved.Permission to reproduce in wholeorin part must beobtained in writingfrom University ofToronto Press Incorporated CONTRIBUTORS CARYL CLARK Associate Professorof Music, University of Toronto Editor, Haydn Companion (forthcoming) LINDA HUTCHEON University Professor, University of Toronto Narcissistic Narrative (1980); Formalism and the Freudian Aesthetic (1984); A Theory ofParody (1985); Poetics ofPostmodernism (1988); Politics ofPostmodernism (1989); TheCanadian Postmodern (1988); Splitting Images (1992); Irony's Edge(1994). WithMichael Hutcheon: Opera: Desire, Disease, Death (1996); Bodily Charm: Living Opera(2ooo); Opera:The ArtofDying (forthcoming 2004) MICHAEL HUTCHEON Professor of Medicine, University of Toronto With Linda Hutcheon: Opera:Desire, Disease, Death (1996); Bodily Charm: LivingOpera (2000); Opera: The Art ofDying (forthcoming 2004) NAOMI MORGENSTERN Assistant ProfessorofEnglish, University ofToronto MARTIN REVERMANN Assistant Professor of Classics and Theatre, University ofToronto ComicBusiness:Theatricality, Dramatic Technique and Performance Contexts ofAristophanic Comedy (forthcoming) RICHARDTARUSKIN Class of 1955 Professor ofMusic, University ofCalifornia at Berkeley Oxford History ofWestern Music(2004); Defining Russian Musically (1997); Stravinsky and theRussian Traditions (1996); Text and Act (1995); Musorgsky: Eight Essaysand an Epilogue (1993) PIA KLEBER Helen and Paul PhelanChair in Drama, Director, University College Drama Program, Professor, Centre for ComparativeLiterature, University of Toronto Coeditor with David Blostein, Mirror or Mask? SelfRepresentation in the Modern Age (2003); coeditor with MichaelSidnell et al, Sources in Dramatic Theory (1991); Re-interpreting Brecht: His Influenceon Contemporary Drama and Film (1990); Exceptions and Rules:Brecht, Planchon and 'TheGood Person ofSzechwan' (1987, trans 1990) CONTRIBUTORS continued on page 870 CONTRIBUTORS (CONTINUED) JORGBOCHOW Professor, University College Drama Program and Comparative Literature, University of Toronto The Theatre ofMeyherhold and Biomechanics (1997); From God-Man to the. New Man: Individual andReligion in Russian Cinema oftheTwenties (1997) ELLEN T. HARRIS Class of 1949 Professor, Massachusetts Institute ofTechnology Handel as Orpheus: Voiceand Desirein theChamberCantatas (2001); Henry Purcell's 'Didoand Aeneas' (1987); Handel and thePastoral Tradition (1980) MARY ANN PARKER Associate Professor, FacultyofMusic, University ofToronto Editor, Eighteenth-CenturyMusic in Theory and Practice: Essaysin Honor of Alfred Mann (1994); G.F. Handel:A GuidetoResearch (1988) DOMENICO PIETROPAOLO Professor of ItalianStudies, University ofToronto ...

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