Contributors
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Lucilla Albano is Full Professor at the Università Roma Tre, where she teaches film analysis and interpretation. Her writing and research include the history and theory of cinema, cinema and literature, the textual analysis of film, and in particular the relationships between cinema and psychoanalysis. She received the 2000 Filmcritica Umberto Barbaro Prize for her book Il secolo della regia: La figura e il ruolo del regista nella storia del cinema (Marsilio, 1999/2004) and the 2005 Limina Citta di Gorizia Prize and 2005 Filmcritica Umberto Barbaro Targa d'argento for her book Lo schermo dei sogni: Chiavi psicoanalitiche del cinema (Marsilio, 2004). She is the author of Il divano di Freud: Memorie e ricordi dei pazienti di Sigmund Freud (Pratiche, 1987), La caverna dei giganti: Scritti sull'evoluzione del dispositivo cinematografico (Pratiche, 1992), and Ingmar Bergmann, Fanny e Alexander (Lindau, 2009). She edited two books for the Associazione Malatesta: Il racconto tra letteratura e cinema (Bulzoni, 1997) and Modelli non letterari nel cinema (Bulzoni, 1999). She has also edited John Ford (Marsilio, 2001) and, with Veronica Pravadelli, Cinema e psicoanalisi: Tra cinema classic e nuove tecnologie (Quodlibet, 2008). She has contributed to various journals, among them Filmcritica, Nuovi Argomenti, La Valle dell'Eden, La Psicoanalis, and Fata Morgana.
Alice Kilgarriff is a translator specializing in political and academic texts.
Wim Matthys is a resident psychologist in the Department of Psychoanalysis and Clinical Counseling at the University of Ghent. His readings of Stanley Kubrick's films have appeared in publications and conference presentations in Europe. His primary research interests are applied and clinical psychoanalysis. [End Page 299]
Mauro Resmini is a Ph.D. candidate in the Departments of Italian Studies and Modern Culture & Media at Brown University. He is currently completing a book manuscript on the work of Steven Spielberg (forthcoming from Il Castoro Cinema, 2013). His research interests include psychoanalysis, film theory, and contemporary cinema.
Dorit Szykierski is a senior clinical psychologist and supervisor in private practice in Tel Aviv-Yafo, Israel. She is a member of OFEK—the Israeli association for the study of group and organizational processes—and she has participated as a member and as staff in various Group Relations Conferences. She studies the evolution of Bion's ideas and is particularly interested in the application of his theory of groups to the research of social and cultural phenomena.
Adele Tutter is a Clinical Assistant Professor of Psychiatry, Columbia University College of Physicians & Surgeons and a Clinical Adjunct Professor of Psychiatry, Weill Cornell Medical College. She is on the Faculty of the New York Psychoanalytic Institute and the Columbia University Center for Psychoanalytic Training and Research. Her writing has appeared in the International Journal of Psychoanalysis and the Journal of the American Psychoanalytic Association. She is a member of the American Psychoanalytic Association's Committee on Psychoanalysis and the Arts. [End Page 300]
