Abstract

In Ecce Homo, Nietzsche identifies himself with Dionysus. Yet Nietzsche's notorious treatment of his mother in this text reveals a complex relationship to the Dionysian. While many have used the Dionysian to interpret Nietzsche's relation to the maternal, I show that his treatment of his mother illuminates his relation to the Dionysian. Building on an insight in Stanley Cavell's work on love in Shakespeare's King Lear, I show that Nietzsche's attempt to give birth to himself in Ecce Homo imitates his description of the tragic hero in The Birth of Tragedy, making Ecce Homo his tragic performance.

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Additional Information

ISSN
1086-329X
Print ISSN
0190-0013
Pages
pp. 20-35
Launched on MUSE
2013-08-02
Open Access
No
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