Volume 34 Contents

Number 1	Inquiries Into Ethics and Narratives	Winter 2003
Brian Stock	Reading, Ethics, and the Literary Imagination	1
Winfried Fluck	Fiction and Justice	19
Stanley Stewart	Was Wittgenstein a Closet Literary Critic?	43
Gary Saul Morson	Narrativeness	59
Ian Almond	Islam, Melancholy, and Sad, Concrete Minarets:
	The Futility of Narratives in Orhan Pamuk's The Black Book	75
Lynn A. Casmier-Paz	Slave Narratives and the Rhetoric of Author
	Portraiture	91
Helga Lénárt-Cheng	Autobiography as Advertisement:
	Why Do Gertrude Stein's Sentences Get Under Our Skin?	117
Xiaoying Wang	A Time to Remember: The Reinvention of the
	Communist Hero in Postcommunist China	133
Lawrence Lipking	Chess Minds and Critical Moves	155
CONTRIBUTORS		181
BOOKS RECEIVED		183
Number 2	Theorizing Genres I	Spring 2003
Ralph Cohen	Introduction	v
Alastair Fowler	The Formation of Genres in the Renaissance and After	185
Thomas Pavel	Literary Genres as Norms and Good Habits	201
Mark Salber Phillips	Histories, Micro- and Literary: Problems
	of Genre and Distance	211
Barbara M. Benedict	The Paradox of the Anthology: Collecting and
	Différence in Eighteenth-Century Britain	231
Dorothea von Mücke	Profession/Confession	257
Peter Seitel	Theorizing Genres - Interpreting Works	275
Peter Hitchcock	The Genre of Postcoloniality	299
Rachel Gabara	Mixing Impossible Genres: David Achkar and
	African Autobiographical Documentary	331
Susan Wells	Freud's Rat Man and the Case Study:
	Genre in Three Keys	353
Hayden White	Commentary: Good of Their Kind	367
CONTRIBUTORS		377
BOOKS RECEIVED		379
Number 3	Theorizing Genres II	Spring 2003
Ralph Cohen	Introduction: Notes Toward a Generic
	Reconstitution of Literary Study	v
Joseph Farrell	Classical Genre in Theory and Practice	383
Gary Saul Morson	The Aphorism: Fragments from the
	Breakdown of Reason	409
Fredric Jameson	Morus: The Generic Window	431
Michael B. Prince	Mauvais Genres	453
Margaret Cohen	Traveling Genres	481
Stephen Bann	Questions of Genre in
	Early Nineteenth-Century French Painting	501
Susan Stewart	Genres of Work: The Folktale and Silas Marner	513
Jerome McGann	Herbert Horne's Diversi Colores (1891):
	Incarnating the Religion of Beauty	535 [End Page 814]
David Duff	Maximal Tensions and Minimal Conditions:
	Tynianov as Genre Theorist	553
Yuri Tynianov	The Ode as an Oratorical Genre (tr. Ann Shukman)	565
Hayden White	Commentary: Anomalies of Genre:
	The Utility of Theory and History
	for the Study of Literary Genres	597
CONTRIBUTORS		617
BOOKS RECEIVED		619
Volume 4	Multicultural Essays	Autumn 2003
Ingo Berensmeyer	No Fixed Address: Pascal, Cervantes,
	and the Changing Function of Literary
	Communication in Early Modern Europe	623
David V. Mason	Who Is the Indian Shakespeare?
	Appropriation of Authority in a Sanskrit
	Midsummer Night's Dream	639
Hollis Robbins	The Emperor's New Critique	659
Karla Mallette	Misunderstood	677
Adriana Craciun	Romantic Satanism and the Rise of
	Nineteenth-Century Women's Poetry	699
Ulla Haselstein	Gertrude Stein's Portraits of Matisse and Picasso 723
Sheldon H. Lu	Waking to Modernity: The Classical Tale in Late-Qing China	745
Donald R. Wehrs	Sartre's Legacy in Postcolonial
	Theory; or, Who's Afraid of Non-Western
	Historiography and Cultural Studies?	761
Michael Tratner	Derrida's Debt to Milton Friedman	791
CONTRIBUTORS		807
BOOKS RECEIVED		809