This article considers Shimon Ballas’ 2009 autobiography Be-Guf Rishon in light of theories of selfhood in diaspora and border-crossings. It argues that the text’s hybrid stance and multiple ruptures are articulated through a language of beginnings, and as such, this analysis engages theories of beginnings and origins in narrative.


Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.